Archive for the 'Europe' Category

The ship

June 11 2013

The key-notes of the fifteenth-century acceleration in the shipwright’s and the navigator’s art were its suddenness and its speed.

“In the fifteenth century … there was a swift and momentous change in the building of ships. It was a great era of architecture. In the space of fifty years the sea-going sailing-ship developed from a single-master into a three-master carrying five or six sails.” [Footnote: Bassett-Lowke, J. W. [that should be W. J.], and Holland, G.: Ships and Men (London 1946, Harrap), p. 46. [...]]

The revolution in navigation was the development of the sea astrolabe.

And this technological revolution in the West not only gave its authors access to all quarters of the Globe by making them masters of Oceanic navigation; it also gave them an ascendancy over all non-Western mariners whom they encountered in any seas.

“At the beginning of the fifteenth century the seaborne trade of Europe was carried in ships markedly inferior in design and workmanship to the vessels used in many parts of the East; but at the end of the sixteenth century the West European ships were the best in the World. They were, perhaps, less handy and less weatherly than the junks of the China seas, but in general, in their combination of seaworthiness, endurance, carrying capacity, and fighting power, they proved superior to anything else afloat.” [Footnote: Parry, J. H.: Europe and a Wider World, 1415-1715 (London 1949, Hutchinson), p. 21.]

This new-fangled Western type of vessel is the most characteristic emblem of a Modern Age of Western history (currebat circa A.D. 1475-1875) during which its unchallenged supremacy was proclaimed in its monopoly of the title “ship”, by which it came to be known par excellence. The “ship’s” distinctive virtue, in which it surpassed its successors as conspicuously as its predecessors, was its power to keep the sea for an almost unlimited length of time on end; and this virtue has been divined and lauded by a nineteenth-century Western man of letters who lived to see the “ship” reach its peak of technical perfection, and all but lived on to see it disappear from the seas as suddenly as it had invaded them some four hundred years earlier.

“L’ancien navire de Christophe Colomb et de Ruyter est un des grands chefs-d’œuvre de l’homme. Il est inépuisable en force comme l’infini en souffles, il emmagasine le vent dans sa voile, il est précis dans l’immense diffusion des vagues, il flotte et il règne.” [Footnote: Hugo, Victor: Les Misérables, Part II, Book II, chap. 3.]

A Study of History, Vol IX, OUP, 1954

La mer

June 10 2013

Charles Trenet, lyrics and music. Allegedly written on a train in 1943 on the Mediterranean coast en route from Paris to Narbonne. Trenet was assisted with the music by Léo Chauliac.

The tune is obviously based on Heart and Soul, a 1938 song with music by Hoagy Carmichael and lyrics by Frank Loesser. Wasn’t there an argument about intellectual property? Trenet did not record it until 1946. I don’t know whether this is that version.

The malleus presbyterorum

June 7 2013

If the formidable authority conferred on the priests by their custody of tradition is to be challenged, the challenge can be delivered only by the word of God Himself as revealed in His prophet’s message; for, if that message is once recognized to be authentic, it must override the rulings of priests who are not God’s spokesmen but merely His ministers; and, though the winged words of God’s living human spokesman will be likely to have both a greater virtue and a greater effect than any written testament, dumb scripture has one decisive posthumous advantage over the living voice. Scripture can attain a longevity which, at second hand, will multiply a hundredfold the brief life-span of the prophet whose message this frozen echo perpetuates. Holy Writ that purports to enshrine prophetic revelation is thus a malleus presbyterorum that is a literal godsend to rebels against sacerdotal authority. The followers of the Prophets of Israel and Judah and of Zarathustra made effective use of this weapon against the priests of their day; the Scribes and Pharisees used it against the Sadducees; the Protestant Reformers used it against the Papal Church.

A Study of History, Vol VII, OUP, 1954

In praise of Vasily Petrenko

June 4 2013

Vasily Petrenko has the air of having been educated. In England there are pockets of educational excellence, but a universal or republican standard, however theoretical, creates a more natural person. He is a product of the Soviet system on one side. On the other, he belongs to a generation which had been exposed to the West, but had not been stupefied by junk culture. The interminable English debate about education is becoming debilitating. Get on with it. Educate.

Petrenko was resident conductor at the St Petersburg Opera and Ballet Theatre from 1994 to ’97 and has been chief conductor of the State Academy of St Petersburg since 1994. He has been chief conductor of the Royal Liverpool Philharmonic Orchestra since 2006 (contract extended beyond 2015). Season trailers: 2011-12, 2012-13, 2013-14. Lives on the Wirral Peninsula. From 2013-14, he will simultaneously be chief conductor of the Oslo Philharmonic.

He’s giving Liverpool a musical glory it hasn’t had since the ’60s. Will he be regarded as a great conductor one day, with the last degree of concentration that those people bring? He won a prize for a Manfred recording with Liverpool, but it isn’t as good as Svetlanov’s. His Turangalîla was exciting at the Proms last year. But it’s with the National Youth Orchestra, which may be a better orchestra than the Liverpool Phil. I need to hear him in Mozart or English music.

YouTube comment: “How lucky and how perceptive of the Oslo Philharmonic to appoint Vasily Petrenko as their new chief conductor, in my opinion he is the finest of the young generation of conductors and does not go in for sensationalism but rather for pure music making.”

The RLPO was founded, as the Liverpool Philharmonic Society, in the year of Tchaikovsky’s birth, making it two years older than the Vienna Philharmonic and New York Philharmonic, eighteen years older than the more famous Hallé and forty-two years older than the St Petersburg Philharmonic and Berlin Philharmonic. Among the chief conductors in the early decades were Julius Benedict, Max Bruch, Charles Hallé. Frederick Cowen ruled 1896-1913. Interregnum, then Malcolm Sargent, John Pritchard, Charles Groves.

Foreign fields

June 3 2013

Anglican and partly-Anglican cemeteries in non-English-speaking countries:

Bangkok Protestant Cemetery

Bilbao British Cemetery

Bornova Anglican Cemetery, Izmir

British Cemetery, Callao

British Cemetery, Madrid

Cementerio Británico, Buenos Aires

Cheras Christian Cemetery, Kuala Lumpur

Christian Cemetery, Dhaka

English Cemetery, Florence

English Cemetery, Malaga

English Cemetery, Naples

First Cemetery of Athens

Gora Kabristan, Lahore

Feriköy Protestant Cemetery, Istanbul

Mount Zion Cemetery, Jerusalem

Old English Cemetery, Livorno

Old Protestant Cemetery, George Town

Old Protestant Cemetery, Macau

Protestant Cemetery, Rome

Protestant Cemetery, São Paulo

Yarborough Cemetery, Belize City

This, of course not complete, is everything relevant in a Wikipedia list of Anglican cemeteries generally. Apart from Lahore and Dhaka, it has nothing from British India, but it mentions the British Association for Cemeteries in South Asia.

The rather user-unfriendly BACSA site says: “People sometimes think that the Commonwealth War Graves Commission [my link] cares for all graves in Britain’s former Empire, but in fact the Commission only deals with the graves of soldiers [of all Commonwealth countries] killed in World War One and World War Two. The graves of European civilians, and soldiers who died before World War One, and between the two World Wars, generally have no-one to protect them, or to record their inscriptions, which is where BACSA comes in.

“BACSA – the British Association for Cemeteries in South Asia – was set up in 1977 to bring together people with a concern for the many thousands of British and other European cemeteries, isolated graves and monuments in South Asia. There is no one body or agency responsible for looking after these last resting places in the area from the Red Sea to the China Coast – wherever the East India Company and its rivals from France, the Netherlands and Denmark set foot. An estimated two million Europeans and Anglo-Indians – mainly British administrators, soldiers, merchants and their families – are buried in the Indian sub-continent alone. Without our support many of their graves and monuments – witnesses to centuries of European residence in the area – would disappear.

“We record the locations of cemeteries and monuments, and the inscriptions on headstones. We publish cemetery and church records containing names, inscriptions and biographical notes on individual tombs and gravestones. We support local people active in the restoration and conservation of European graveyards.”

It is run by volunteers and has a membership of 1,400 in the UK and elsewhere.

Another site, indian-cemeteries.org, “is attempting to preserve the images of graves and monuments before they disappear. It covers the area which used to be British India and includes present-day India, Pakistan and Bangladesh. Entries are not limited to British citizens. Monuments cover many nationalities. All information comes ad hoc from volunteers, therefore it is not an exhaustive and accurate survey.

“When I [John, site owner] started looking around cemeteries, I was shocked by the state of neglect of most of them. Monuments of British men, women and children, who had sometimes died in the most tragic ways, were crumbling into the dust. Some of the local people had a genuine interest in these cemeteries and were trying to get something done, but much of the money which is awarded for renovation work does not reach the people doing the work.

“The British Government, I was told, contributes nothing. [It does only in so far as it is a member of the Commonwealth War Graves Commission.] If this is true, then it is indeed a disgrace.

“This site is a photographic record of those cemeteries and churches which I visited, along with transcriptions of the memorials and gravestones. They are not an exhaustive survey, as time did not permit. Since this site started it has continued to grow as contributions are sent in by other people.”

Quotations edited.

Old English Cemetery overview

The overgrown Old English Cemetery at Livorno

1.X.1905

May 13 2013

On October 1 1905, a carpenter, František Pavlík (1885-1905), was bayoneted during demonstrations in favour of a Czech university in Brno or Brünn. Brünn was the capital of Moravia and is the second city in the Czech Republic.

The Hapsburgs were Dukes of Austria (1282-1453), Archdukes of Austria (1453-1804) and Austrian Emperors (1804-1918).

The Kingdoms of Hungary and Bohemia became constituent states of the Hapsburg monarchy in 1526. Moravia had belonged to Bohemia continuously since 1019, Slovakia (capital: Bratislava or Pressburg or Pózsony) to Hungary since 1000.

There was no Bohemian constitutional settlement equivalent to the Ausgleich with Hungary.

After 1918, Bohemia was separated from Austria and Hungary was dismembered. The Slovakian part of Hungary became part of the new Republic of Czechoslovakia (1918-92).

Gavrilo Princip.

Janáček wrote a piano composition about František Pavlík’s death which, at least in its present form, has two movements:

Presentiment (Předtucha) – Con moto
Death (Smrt) – Adagio

Vinia Tsopela’s playing of this poetic masterpiece, whose final movement, Funeral March, was discarded, is full, too emphatic at times. From memory, the performance on record I admire most is Leif Ove Andsnes’s on an old Virgin CD.

All quiet on the European front

May 8 2013

Earl Granville, on succeeding to the foreign office, on the death of Lord Clarendon, on 27 June 1870, stated in the House of Lords, on the assurance of Hammond, that the world had never been so profoundly at peace, or the diplomatic atmosphere so serene.”

This was in Gladstone’s first ministry, 1868-74. Hammond, the permanent under secretary, had strolled into Granville’s office and remarked that “he had never during his long experience known so great a lull in foreign affairs” and that he was not aware of any important question that demanded his new chief’s attention.

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George Clement Boase, article on Edmund Hammond in the original Dictionary of National Biography (first quotation).

CJ Bartlett, Clarendon, the Foreign Office and the Hohenzollern Candidature, 1868-1870, The English Historical Review, Vol 75, No 295, April 1960, quoting Sir John Tilley and Stephen Gaselee, The Foreign Office, GP Putnam’s Sons, 1933 (second quotation). 

They sound like Jeeves.

The European ideal

May 7 2013

Sir Humphrey: Minister, Britain has had the same foreign policy objective for at least the last five hundred years: to create a disunited Europe. In that cause we have fought with the Dutch against the Spanish, with the Germans against the French, with the French and Italians against the Germans, and with the French against the Germans and Italians. Divide and rule, you see. Why should we change now, when it’s worked so well?

Hacker: That’s all ancient history, surely?

Sir Humphrey: Yes, and current policy. We had to break the whole thing [the EEC] up, so we had to get inside. We tried to break it up from the outside, but that wouldn’t work. Now that we’re inside we can make a complete pig’s breakfast of the whole thing: set the Germans against the French, the French against the Italians, the Italians against the Dutch. The Foreign Office is terribly pleased; it’s just like old times.

Hacker: But surely we’re all committed to the European ideal?

Sir Humphrey: [chuckles] Really, Minister.

Hacker: If not, why are we pushing for an increase in the membership?

Sir Humphrey: Well, for the same reason. It’s just like the United Nations, in fact; the more members it has, the more arguments it can stir up, the more futile and impotent it becomes.

Hacker: What appalling cynicism.

Sir Humphrey: Yes. … We call it diplomacy, Minister.”

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Yes Minister, The Writing on the Wall, series one, episode five. I might have been remembering this when I said something similarYes, Minister ran for twenty-two episodes on BBC 2 television from 1980 to ’84. It was followed by sixteen of Yes, Prime Minister from ’86 to ’88. They were an essential part of the Thatcher years, but are a little dated now.

Cast: Paul Eddington as Jim Hacker, Nigel Hawthorne as Sir Humphrey Appleby, Derek Fowlds as the minister’s principal private secretary Bernard Woolley. Scripts: Antony Jay, Jonathan Lynn. Sources: included cabinet diaries of Richard Crossman. Text here: Wikiquote.

Namier’s eyes

May 6 2013

One of Namier’s eyes was a rabbinical scholar’s. He was proudly conscious of his descent from the Gaon of Vilna. The other eye was a Polish landowner’s. His family were Roman Catholic (Latin rite) landowners of Jewish origin in the eastern part of Galicia [post here]. Galicia was at that time one of the crown lands of the Empire of Austria. It is divided to-day between two Communist republics: Poland and the Ukrainian constituent republic of the Soviet Union.

Namier’s hereditary rabbinical eye for minutiæ is surely part of the secret of his success in applying the prosopographical method to the study of 18th-century British politics. After he and I had each struck out our different lines of inquiry, Namier once said to me that at least we resembled each other in dealing with history differently from the way followed by most contemporary historians.

“You,” he said, “try to look at the whole tree. I try to dissect the tree’s texture, leaf by leaf. Most of the others break off a branch and try to cope with that. You and I agree,” Namier added, “in not favouring that method.”

Namier’s vein of Jewishness was, of course, not exclusively intellectual. He had also inherited a Jewish emotional intensity and even fanaticism. [Toynbee has a habit of equating Jewish with fanatical. Namier’s Zionism led to a temporary rift with Toynbee.] So, when he discovered the 17th-century English Puritan writers, their spirit struck an answering chord in him. They, and not their Laodicean 18th-century successors, were Namier’s first love in his wooing of England past and present.

Meanwhile, Namier’s other eye – his Polish Roman Catholic one – was also making penetrating observations of English life; and here, too, Namier saw things to which our native English eyes had been blind, because we had taken these things for granted. I remember his excitement over his discovery of the emotional timbre that is given to the English language by the use of Biblical quotations and allusions. This was a stop which the organ of the Polish language did not possess, and which therefore caught Namier’s ear when he listened to the music of English speech. The Biblical note was lacking in the Polish language, for Roman Catholics of the Latin rite the Bible was imprisoned in the Latin of the Vulgate. There was no consecrated and familiar translation in the vernacular which could influence the living language, as King James I’s authorised version of the Bible has influenced the English language ever since it was published.

Lewis Namier, Historian, Encounter, Vol 16, No 1, January 1961 (more from this in yesterday’s post)

The Foreign Office’s ignorance about Europe

May 5 2013

One day, a week or two before the armistice of 1918, [Lewis] Namier staggered into my room in the Political Intelligence Department of the Foreign Office, where we were both then working as temporary Foreign Office clerks. He had a look of stupefaction on his face, and could hardly describe to me coherently what had just happened to him.

What had happened was that Lord Robert Cecil had sent for Namier to learn from him something about Austria-Hungary. Cecil needed to know something about her now, as he had just been appointed head of the League of Nations section of the British delegation to the forthcoming peace conference. Namier had come into the Minister’s room with a map of the Dual Monarchy in his hand. He had chosen a simple map in three colours: Austria red, Hungary yellow, Bosnia-Herzegovina green (the map was still in Namier’s hand, and I have remembered those colours to this day).

“This map must be wrong,” Lord Robert had said, putting his finger on Namier’s native Galicia, of all places. “This piece ought to be yellow, not red, oughtn’t it?”

“No,” Namier had shyly instructed him, “Galicia is part of Austria, not of Hungary.”

There had been a moment’s pause, and then Lord Robert had added meditatively: “What a funny shape Austria must be.” And this from a man who had lived through the war as Minister of the Crown in charge of the blockade of the Central Powers.

Such British ignorance as this was shattering for Namier. I expect, every time that he recollected the incident, it gave him, ever after, an undiminished shock. Yet there was one pertinent point which probably escaped Namier’s notice, because it needs a native-born Englishman’s prosaic mind to appreciate anything so absurdly practical. Lord Robert’s ignorance of Austria-Hungary was indeed as colossal as only an Englishman’s could be. But it was colossal without being detrimental; for, after all, Lord Robert did not really need to know much about the Monarchy’s curious structure in order to do his two successive jobs of blockading her while she was still in being and launching the League of Nations after she had ceased to be. This is, of course, a typically English defence that Namier could not ever have accepted. He could never have become naturalised to that degree.

So there I will leave him, a fully naturalised Englishman at heart, but never quite naturalised intellectually – and thank goodness for that. If he had succeeded in becoming one hundred per cent English in mind, he could never have done the great things that he has done for English historical scholarship.

Contrast the quality of our knowledge of parts of the world with which we wished to be permanently involved.

Lord Robert Cecil (1864-1958), the son of Salisbury, the prime minister, was a lawyer, became a Conservative MP in 1906, and served as Parliamentary Under-Secretary of State for Foreign Affairs from May 30 1915 to January 10 1919 (second Asquith ministry and Lloyd George ministry) and in the cabinet as Minister of Blockade from February 23 1916 to July 18 1918.

In September 1916, he circulated a memorandum making proposals for the avoidance of war, which he said was the “first document from which sprang British official advocacy of the League of Nations”.

At the Peace Conference, he was the British representative in charge of negotiations for a League of Nations. From 1920 to ’22, he represented the Dominion of South Africa in the Assembly. In 1923 he toured the US, explaining the League to American audiences. He was raised to the peerage as Viscount Cecil of Chelwood at the end of that year.

In the Conservative administrations of 1923 to ’24 and ’24 to ’27, he was the minister responsible, under the Foreign Secretary, for British activities in League affairs.

He was president of the British League of Nations Union from 1923 to ’45, and in 1936 joint founder and president, with a French jurist, Pierre Cot, of the International Peace Campaign or Rassemblement universel pour la paix. He won the Nobel Peace Prize in 1937.

In the spring of 1946, he participated in the final meetings of the League at Geneva, ending a speech with: “The League is dead; long live the United Nations!” He lived another dozen years, occasionally going to the House of Lords, and was honorary life president of the British United Nations Association, which succeeded the LNU without achieving the same public support.

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Lord Palmerston said, I assume c 1863, when Prime Minister (he had been Foreign Secretary), that only three men had ever known the answer to the Schleswig-Holstein Question (post here): Prince Albert, who was dead; a German professor, who had become insane; and Palmerston, who had forgotten it.

Lord Goschen, First Lord of the Admiralty, invented the phrase “splendid isolation” during a speech at Lewes on February 26 1896, paraphrasing a remark which had been made about Britain by a Canadian politician earlier that year.

Neville Chamberlain, movingly for all his disgrace, in 1938 on the radio on the eve of Munich: “How horrible, fantastic, incredible it is that we should be digging trenches and trying on gas-masks here because of a quarrel in a far-away country between people of whom we know nothing.”

Edgar Algernon Robert Gascoyne-Cecil, 1st Viscount Cecil of Chelwood by Sir William Orpen

Lord Robert Cecil by William Orpen, 1919, National Portrait Gallery

Toynbee tells the story about Namier and Cecil again in Acquaintances, OUP, 1967.

Another case of British ignorance:

The revelation of Thucydides

Floor games

Laughter in the quad

Lewis Namier, Historian, Encounter, Vol 16, No 1, January 1961

After 1453

May 4 2013

The other significance of 1453 was the de facto end of the Hundred Years’ War. Territory in Europe won by Britain thereafter, other than brief occupations, amounted only to

Gibraltar

Minorca

Heligoland

Malta

the Ionian Islands and

Cyprus.

Is that complete? Essentially, islands.

For an entertaining late-Victorian account of lost possessions around the world, see Walter Frewen Lord, The Lost Possessions of England, Richard Bentley and Son, 1896.

The book purports to show:

“1. The advantage to a sea Power like Great Britain of an extended Empire – an advantage very bluntly pointed out to Sir William Draper in the secret instructions furnished to that officer prior to his departure for Manila.

2. The value in Imperial policy of the sound business principle of not throwing away rubbish – as illustrated by Tangier and the present situation in Morocco.

3. The necessity of listening to the advice of the man on the spot – by not doing which we lost Java.

4. The paramount importance of studying local climatic conditions – a neglect of which precaution cost us five thousand men in Cuba.

5. The folly of entrusting important expeditions (even against incompetent enemies) to untried leaders – a folly which cost us five thousand men and the province of Buenos Ayres.

6. The disastrous effects of a weak course of action in equivocal situations – as in the Ionian Islands.”

The essays, which were revised by Sir John Seeley, are:

Retrospect

Transition Period – Dunkirk

Tangier

Minorca

Cuba

Manila

Corsica

Buenos Ayres and Montevideo

Java

The Ionian Isands

Forecast

The Eagle of Meaux

May 2 2013

The Augustinian version of a Judaic view of history was taken for granted by Western Christian thinkers throughout the first millennium (circa A.D. 675-1675) of the Western Civilization’s life and was reformulated – to incorporate the additions made to Western knowledge since the fifteenth century of the Christian Era by an Italian renaissance of Hellenism and an Iberian conquest of the Ocean – in a Discours sur l’Histoire Universelle published in A.D. 1681 by Jacques-Bénigne Bossuet (vivebat A.D. 1627-1704). The Eagle of Meaux’s majestic variation on a traditional Judaic theme was, however, the last serious Western performance of this spiritual masterpiece; for, while Bossuet was in the act of writing his classic discourse, a spiritual revolution was taking place around him in his world. Within the brief span of the last few decades of the seventeenth century of the Christian Era, a Western World that was exorcizing a stalking ghost of Hellenism was at the same time liquidating its own ancestral Judaic Weltanschauung.

Apropos the stalking ghost, we have earlier (referring to literary culture perhaps too much in isolation):

The Humanists’ revival of the art of writing quantitative Latin and Greek verse in a correct Hellenic style was followed, not by an eclipse of a native Western literature that was flying its own proper colours unabashed, but by a fresh outburst of it in a blaze which effectively took the shine out of the Humanists’ frigid academic exercises.

A Study of History, Vol IX, OUP, 1954

Wilhelmus

April 30 2013

Wilhelmus or Wilhelmus van Nassouwe. Words and music by Adrianus Valerius. The anthem named after William the Silent arranged by Willem Mengelberg. And

Wilt heden nu treden, also Valerius, arranged by Johan Wagenaar.

Willem Mengelberg, Concertgebouw Orchestra, November 30 1938.

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Orange-Nassau dynasty since the monarchy was established in 1815:

Willem I (1772-1843) March 16 1815-October 7 1840, abdicated

Willem II (1792-1849) October 7 1840-March 17 1849

Willem III (1817-1890) March 17 1849-November 23 1890

Wilhelmina (1880-1962) November 23 1890-September 4 1948, abdicated

Emma (1858-1934), regent December 8 1890-August 31 1898
London exile May 13 1940-March 13 1945
Alexander von Falkenhausen (1878-1966), military governor May 20-May 29 1940
Arthur Seyss-Inquart (1892-1946), Reichskommissar May 29 1940-May 5 1945
Juliana (1909-2004), regent, first time October 14-December 1 1947
Juliana, regent, second time May 14-August 30 1948

Juliana September 4 1948-April 30 1980, abdicated

Beatrix (1938- ) April 30 1980-April 30 2013, abdicated

Willem-Alexander (1967- ) April 30 2013-

Saving England

April 29 2013

David Cameron on Margaret Thatcher between 1979 and 1990: “She didn’t just lead our country; she saved our country.”

Below, Saving England, piece by Toynbee, Encounter, Vol 18, No 1, January 1962, section called Spectrum. A number of writers had been invited to comment on the spirit of the previous decade.

He argues that England’s future is in the Common Market or EEC. See also:

1. Television broadcast on Englands Rolle in der Weltgeschichte, Third Programme of Norddeutscher Rundfunk, Hamburg, winter 1961-62, heard in both English and German (with him speaking in both cases?); revised text published in German in England deutet sich selbst: 12 prominente Engländer über Politik, Wirtschaft, Gesellschaft und Kultur, Hamburg, Hoffmann und Campe Verlag, 1962.

2. Article on Going into Europe, Encounter, Vol 20, No 2, February 1963.

3. Article on Europa, der Gemeinsame Markt und England, Merkur, Vol 17, No 12, December 1963.

4. Letter to The Times, Gesture to European Unity, February 28 1967. Signed also by Edward Beddington-Behrens, George Buchanan, Maurice Cranston, Barbara Hepworth, Julian S Huxley, Jan Le Witt, Henry Moore, Laurence Olivier, Roland Penrose, Herbert Read, Ceri Richards, Patrick Trevor-Roper, Bernard Wall and dated February 25. Probably not written by Toynbee, but he is first signatory and the others are alphabetical. Asks for an exhibition of contemporary European art in London “to dispel lingering doubts and to demonstrate urbi et orbi that the notion of ‘little England’ is a thing of the past [...]”. A curiously insular gesture even for 1967.

5. Television broadcast über das Verhältnis Großbritanniens zum europäischen Kontinent, presumably in German, Südwestrundfunk, Baden-Baden (?), February 10 1969.

6. Article, Key to the European Super State, The Times, October 12, 1971. Argues that entry into EEC need not damage relations with Commonwealth.

7. In Morton’s incomplete list of articles sent to the Observer Foreign News Service for syndication to unidentified media here and there around the world, we have Why De Gaulle Will Fail, about France as an agricultural country (1963), Britain’s Place in the World (1966) and Why Britain Must Join Europe (1970 and, presumably different, 1971). In her list of articles written for the Central Office of Information for use in unidentified ways overseas is Historical Reasons behind Britain’s Entry into the E.E.C. (1972).

Churchill had spoken about a United States of Europe in a speech at the University of Zürich on September 19 1946.

The Common Market or European Economic Community was established by the Treaty of Rome in 1958. Britain (and Norway, Denmark and Ireland) applied to join in 1961-62, under another Conservative, Harold Macmillan.

The spread of one’s spectrum depends on one’s age. If one is old enough to have been just grown-up before 1914, the far end of one’s spectrum will include a glimpse of Victorian-Edwardian England seen with a grown-up person’s eyes; and that glimpse, however brief, will abide in one’s memory as a foil against which all later events will stand out in sharp relief. If the accident of age has given one this perspective, that ought to be a help in trying to size up what has been happening in England in this last decade. The main feature of this decade has been a radical change in England’s position in the world; but it was the outbreak of war in 1914 that brought this change to the surface and gave it a momentum that was still unspent in the 1950s. This change is difficult for the English to cope with because the century that ended in 1914 was, for England, a time of rare greatness – and this in many different fields. Such a floruit was bound to be transitory. It is remarkable that England’s time of greatness should have lasted for a whole century; and, indeed, its full bloom did not last later than the 1870s. Anyway, it is over now, and England is having to find a new place for herself in a formidably changed world. In our own time, perhaps only one other country of the same stature is passing through the same ordeal, and that is France. The ordeal is a severe one, but, after all, it is the common lot. France and England are merely the latest of the many countries that have experienced it in the course of history up to date.

Sources of greatness: a landscape; a complex and detailed rural culture; the medieval Church; a Protestantism that encouraged people to think about their religion; a scientific tradition that went back to Francis, or Roger, Bacon (will we be reading obituaries of Sir Robert Edwardeses a century hence?); literary and scholarly traditions; political experience; individuality forged in idiosyncratic schools; privacy, from which vice came too; self-improvement among non-privileged urban people; humanitarian and social reforms.

In the past the English have avoided the awful mistake of crying over spilt milk. They have quickly found and milked new cows, instead of standing still and wringing their hands. They stopped grieving over their defeat in the Hundred Years War in the exhilaration of discovering and colonising a New World. They stopped grieving over the loss of the thirteen American Colonies in the exhilaration of making the Industrial Revolution and acquiring a new empire in India. In our day we have had recourse to this simple but effective British philosophy once again in meeting our own generation’s ordeal. Recognising, as we did in good time, that the days of colonial rule were numbered, we decided to make the liquidation of our 19th-century Empire into a festival instead of a funeral. We christened it the transformation of the Empire into the Commonwealth, and this has been no mere face-saving word-play; for, in the act of coining a new word, we managed to create a new reality. We also discovered that the maturing Commonwealth was not our only compensation for a fading empire. Simultaneously we found another new world to win within the coasts of our own island. If the 19th century was a golden age for England, it was not one for the great majority of her inhabitants. England’s century of economic and naval supremacy abroad was a century of shocking social inequality and injustice at home. In our generation we have won not only the Commonwealth but the Welfare State. (The name may be still controversial, at any rate in American mouths, but the thing itself has been accepted in England by all parties as a good thing which has come to stay.)

The Welfare State and the Commonwealth are obviously two of those exhilarating enterprises that are England’s traditional prescription for easing the painfulness of change. In both enterprises we have given ourselves an extra shot of exhilaration by contriving to be the pioneers and by doing promptly and with a good grace what we realised that we should have had to do, anyway, willy-nilly, sooner or later. Our good sense here is illustrated by the case of the French, who have done much the same things in the end but have done them belatedly, kicking miserably against the pricks and harvesting a minimum of credit, gratitude, and satisfaction. In contemplating their French contemporaries, the English of our generation are tempted to feel smug. The English can no more forget June 1940 than the French can, and the contrast between our respective performances in that year has, ever since, been making both nations awkward to deal with, particularly for themselves. The consciousness of having once been heroes can be as great a handicap as the consciousness of having once failed to rise to the occasion.

Fortunately to-day England is putting her childish pride in her pocket and is knocking at France’s door to ask for admittance to the Common Market. Within twenty-one years of the Battle of France the roles of the two countries have been reversed – and why? France is in a relatively strong position again to-day because she has discovered for herself the British remedy for the painfulness of change. On her overseas front France may be incorrigible. She seems to have learnt nothing and forgotten nothing as a result of her successive fiascos in Syria, Indo-China, and Algeria. General de Gaulle seems still to be dreaming of conjuring back to life the military power of Napoleon’s France or Louis XIV’s. But, since the end of the Second World War, most Frenchmen have been busy over something else. They, like us, have found a new world to win within their own home territory. They have been putting France, for the first time, through a thoroughgoing industrial revolution, and, on this economic plane, they have begun to think of French prosperity in the new terms of a united Europe, instead of going on brooding over past French glory in the antique terms of the Rhine frontier.

The post-war French have been making this new vision of theirs effective by translating it into reality through hard work. The French have always been hard workers in good times and in bad times alike; and on this point they might well feel smug to-day in contemplating us. The need to work hard now is one from which the English cannot be absolved by any past achievements; not by our victory in the Battle of Britain, not by our transformation of the Empire into the Commonwealth, not by the bloodless social revolution that has produced the Welfare State [the further Glorious Revolution, we might have been tempted to call it]. Achievements are wasting assets, and nothing but unremitting hard work can ever renew them. This truth ought to be obvious; for the post-war fruits of French hard work are only one example out of a multitude in the world around us. In a world in which Americans, Russians, Chinese, and Japanese, as well as Continental Europeans, are all working like beavers, can any nation afford to sit back and rest on its oars?

While the English have been prompt in making over the Empire into the Commonwealth and in narrowing the gulf between the former “two nations” on this island, we have been late in the day in accepting the fact that England is a part of Europe. The proper verdict on this English acceptance of geography is the one that Tennyson pronounced on the lady who told him that she accepted the universe: “By God, madam, you had better!” “How England saved Europe” was the title of a popular history of England’s role in the Napoleonic Wars that was published when I was a child. The author’s thesis was the conventional one that England saved Europe by keeping Europe divided. This may have been a service to Europe at times when unity was being forced on her by one Continental European country’s trying to conquer the rest. England once again saved Europe in that way in 1940; but the occasion will not recur; for to-day, when Europe has been dwarfed by the United States and the Soviet Union towering up on either side of her, that chapter of European and English history has been closed. On this point the Continental European countries have been quick in reading the signs of the times, and they have risen to the occasion by setting out to unite with each other by peaceful agreement. England has not, of course, dreamed of opposing this peaceful unification (she could not prevent it, even if she wished to). She has, however, dreamed of staying outside. This dream of England’s maintaining a self-contained sterling area next door to a united Continental Europe is about as crass an anachronism in our day as General de Gaulle’s dream of France’s regaining her Napoleonic military stature.

If England has now awoken from this dream of hers in time to gain admittance to the Common Market the title of the next chapter of the story may be “How Europe saved England.”

What is the Tennyson anecdote about? Does it have something to do with his proto-Darwinian preoccupations in In Memoriam?

The author of How England Saved Europe, four volumes, London, Smith, Elder and Co, 1899, was a Methodist emigré to Australia, William Henry Fitchett.

___

A year after this, on January 14 1963, de Gaulle vetoed the British application to join the EEC at a press conference at the Elysée Palace.

“England in effect is insular, she is maritime, she is linked through her exchanges, her markets, her supply lines to the most diverse and often the most distant countries; she pursues essentially industrial and commercial activities, and only slight agricultural ones. She has in all her doings very marked and very original habits and traditions.”

L’Angleterre, en effet elle est insulaire, elle est maritime, elle est liée par ses échanges, ses marchés, ses ravitaillements aux pays les plus divers, et souvent les plus lointains; elle exerce une activité essentiellement industrielle et commerciale, et très peu agricole. Elle a dans tout son travail des habitudes et des traditions très marquées, très originales.

That was the first of his “Nons”, though, unlike Thatcher, with her reiterated Nos in the House of Commons, he did not use the word. October 30 1990: “The President of the Commission, M. Delors, said at a press conference the other day that he wanted the European Parliament to be the democratic body of the Community, he wanted the Commission to be the Executive and he wanted the Council of Ministers to be the Senate. No. No. No.”

The four countries reapplied in 1967. At a further press conference at the Elysée Palace on May 16, de Gaulle again made it clear that he would veto Britain’s application.

A few weeks later, the European Coal and Steel Community (1951, Treaty of Paris) and European Atomic Energy Community (1958, Treaty of Rome) were brought under the umbrella of the EEC. These were the three European Communities, often henceforward called European Community. The ECSC expired in 2002. The EAEC still exists. Would joining the EEC in 1962 have meant a fortiori joining the other two communities as well?

The transition to Pompidou in 1969 allowed the subject to be reopened. Negotiations began in 1970 under Edward Heath. Accession was on January 1 1973 under Heath (with Denmark and Ireland) without a referendum. The original six members became nine. Britain’s membership was confirmed in a referendum held on June 5 1975 under Harold Wilson. Thatcher won a permanent UK budget rebate in 1984. The EEC was renamed EU when the Maastricht Treaty came into force in 1993, to reflect its wider range of operation.

De Gaulle thought in old-fashioned terms (he also saw in British membership a Trojan horse of American imperialism in Europe), but was right about Britain fundamentally. Cameron said similar things in his Bloomberg speech in London on January 23 2013, fifty years, nearly to the day, after de Gaulle’s. “It’s true that our geography has shaped our psychology. We have the character of an island nation: independent, forthright, passionate in defence of our sovereignty. We can no more change this British sensibility than we can drain the English Channel. And because of this sensibility, we come to the European Union with a frame of mind that is more practical than emotional. For us, the European Union is a means to an end – prosperity, stability, the anchor of freedom and democracy both within Europe and beyond her shores – not an end in itself.”

Britain had seemed a semi-detached if not disruptive member. Thatcher never got past the idea that Germany had to be contained. Britain’s support of any proposal for expansion of membership masqueraded as pro-European, but came also from an instinct that the more members the Community had, the less likely it was to agree on anything or become monolithic. British political parties have ducked and woven through the decades to appease this or that side of a divided electorate. The Maastricht Treaty, though Thatcher had signed up to it (John Major signed it), left Britain more uneasy than ever.

The prospect, after the scale of the debt crisis became apparent in 2009, of a much tighter and more centralised fiscal régime in the EU concerned even a member that had opted out of joining the Euro (which was introduced in physical form in 2002). Cameron, op cit:

“At some stage in the next few years the EU will need to agree on treaty change to make the changes needed for the long-term future of the euro and to entrench the diverse, competitive, democratically accountable Europe that we seek. I believe the best way to do this will be in a new treaty, so I add my voice to those who are already calling for this. My strong preference is to enact these changes for the entire EU, not just for Britain. But if there is no appetite for a new treaty for us all, then of course Britain should be ready to address the changes we need in a negotiation with our European partners. The next Conservative manifesto in 2015 will ask for a mandate from the British people for a Conservative government to negotiate a new settlement with our European partners in the next parliament. It will be a relationship with the single market at its heart. And when we have negotiated that new settlement, we will give the British people a referendum with a very simple in or out choice. To stay in the EU on these new terms, or come out altogether. It will be an in-out referendum.”

___

Toynbee had suffered an incapacitating stroke by the time Thatcher became Leader of the Opposition in February 1975. What would he have thought of her? He and his wife joined the Labour Party in 1918 and voted for it at the Khaki election, to the disgust of the Countess of Carlisle. McNeill: “His attraction to the Labour Party [...] dimmed after 1922 almost as swiftly as it had arisen, and Toynbee retreated from political activism towards a nonparty, vaguely liberal point of view in domestic and foreign affairs.” He would vote Liberal in later years.

More than one piece of journalism by him in the ’60s and ’70s expresses alarm at the trade unions’ abuse of their power. He lived to see the nadir of postwar economic morale in England, the Three-Day Week in the first quarter of 1974 under the Conservative government of Heath, though not its reprise, the Winter of Discontent of 1978-79 under the Labour government of Jim Callaghan which led to Thatcher’s victory. See:

1. Letter to The Times, Backing Britain, February 10 1968 about Wilson’s I’m Backing Britain campaign and the secret union trial and condemnation of four shop stewards who did back Britain by working an extra half-hour a day without pay (he calls himself a Liberal in this letter). This seemed a tawdry and tired campaign even at the time, but was much-noticed in an age of few media outlets and gave a pop-art twist to use of the national flag.

2. Article on The English Sickness, The Observer, November 10 1974. I remember in the ’80s looking at a pile of letters in an attic in which was a letter from early 1974 from one inhabitant of educated Hampstead to another. The writer, who had lived though the war in England, wrote that he had never known morale in the country so low.

3. Article on A State within the State, The Observer, October 26 1975. This was four days after his death and is presented in Tomlin’s anthology as evidence that “Toynbee’s mastery of historical analogy remained with him until the last”. The Observer introduces it as “this last article [...] before his death”. But it cannot have been written after his stroke in August 1974 – which begs the question why it was presented thus. Perhaps it was about to be printed and withheld because of his illness. Its reference to Mr Healey’s budget must be to his first budget in March 1974.

4. In Morton’s incomplete list of articles sent to the Observer Foreign News Service for syndication here and there around the world, we have The English Sickness (1966) and The Second Battle of Britain, about the 1972 coal miners’ strike (1972).

I think he would have welcomed Thatcher, with reservations. He loathed the attitude to work of the trade unions. Thatcher introduced legislation to limit their powers and beat the miners in the endgame, the 1984-85 strike. Heath had been brought down by the miners’ strikes of 1972 and ’74.

He welcomes the Welfare State in its original conception, but would have despised the dependency culture. He believed in self-reliance and thrift. His sympathy for his rural Yorkshire neighbours’ reaction to proto-underclass-sounding city visitors in the late ’30s who

“don’t know how to cook and [...] don’t know how to sew and [...] don’t know how to cure a ham; and [...] can’t even sit at home and talk, because they have nothing in their heads to talk about”

would have been shared by Thatcher in her reminiscing-about-Grantham mode. The reform of the welfare state, which Cameron is now tackling, is Thatcher’s unfinished business.

Not that the work of the welfare state is done. See the return of soup kitchens and food banks in Britain and across swathes of Europe and the US since 2009.

His reservations would not have come from snobbery. But he might have been torn between some of this and a compassionate social conscience, which his uncle, Arnold Toynbee, the economic historian, had had in rich measure and which his own granddaughter, the very unThatcherite Polly Toynbee, would inherit.

He had an equally low opinion of the standard of universal education that Britain had achieved since 1870. The Yorkshire countrywoman’s

view was a tragic commentary upon the social effects of our present half-baked system of Universal Education.

The popular press degraded people.

The bread of Universal Education is no sooner cast upon the waters of social life than a shoal of sharks rises from the depths and devours the children’s bread [footnote: Matt xv 26] under the philanthropists’ eyes. In the educational history of England, for example, the dates speak for themselves. Universal compulsory gratuitous public instruction was inaugurated in this country in A.D. 1870; [footnote: The system of universal direct compulsion was not made complete until 1880, and the practical establishment of free education not until 1891.] the Yellow Press was invented some twenty years later – as soon as the first generation of children from the national schools had come into the labour market and acquired some purchasing power – by a stroke of irresponsible genius which had divined that the educational philanthropist’s labour of love could be made to yield the newspaper-king a royal profit.

So did advertising. So did nearly all manifestations of modern popular culture in Britain. He disliked the professionalisation of sport. Television was

a form of escapism which I arrogantly despise [...].

Not everything was bad. He liked the hippies. But

“Recreation” in the present-day Western sense has always seemed to me to be an unhealthy regression to childishness. I have therefore despised it, and I believe I have been right. But does not this judgement commit me to condemning, with it, my own trick of keeping myself preoccupied by a continuous agenda of work all round the clock? This discomfort that I am feeling now that my half-century-long agenda is at an end suggests that, for me, this was serving the same perverse purpose as the infantile philistine’s radio and television. It was making it possible for me to avert my mind from “other business” [spiritual business, and looking inward] from which I shrink [...].

Thatcher achieved her reforms at the cost of a certain barbarising of society. Wasn’t she a kind of Diocletian?

Nowadays we don’t think of the welfare state as an “exhilarating enterprise”, we think of it as a social and fiscal problem. We don’t think of the French as hard-working either.

The problem for Britain now is: what is the next great enterprise? The fig-leaf on the world stage of the great liar Tony Blair was to “punch above our weight”. It was a Conservative, Douglas Hurd, who had first used the metaphor, in 1993 (I am not saying it is an impossible thing to do). The Yorkshirewoman was right. The entire challenge is to develop private, and civic, life. Ecological and other change will follow from that.

If that article were to be written today, “education” would have to be mentioned in place of “Welfare State” and “challenge of creating a stable, well-integrated multicultural society” in place of “Commonwealth”. We encouraged immigration to give ourselves a shot in the arm. We showed more enthusiasm in internalising our empire than in merging ourselves with Europe.

Morale is sometimes high during a war and collapses after it. That had happened to England by 1979, whatever Toynbee says about making festivals instead of funerals. Strikes offered a kind of perpetuation of the feeling of heightened living, as if we had become addicted to that in 1940. The Ealing comedies (1947-57) were in large part a celebration of mediocrity. The Suez fiasco in 1956 humiliated the ruling class. (In the same year, the literary establishment suffered a collapse of credibility with the Colin Wilson affair, in which Philip Toynbee was one of the duped.)

A superficial prosperity allowed the mock-Edwardian Macmillan to assure the working class that they had “never had it so good”. The stranglehold of the trade unions became tighter under Wilson, Heath and Callaghan. Middle-class morale picked up under Thatcher. Some sections of the industrial working class suffered from her policies and haven’t forgiven her.

BBC story today about a return to “east of Suez”, from which Britain had supposedly completed its withdrawal in 1971.

mg_6810-version-2

Young, possibly homeless, man on Great Russell Street, central London; photograph by Nicola Albon, posted February 21 2012 on her excellent blog Slice of London Life; copyright, used with permission; click for better resolution

Saving England, Encounter, Vol 18, No 1, January 1962

A Study of History, Vol IX, OUP, 1954

A Study of History, Vol IV, OUP, 1939

Gropings in the Dark, essay, September 1973, in An Historian’s Approach to Religion, second edition (previously unpublished), with new Preface, May 1978, by Veronica Toynbee, OUP, 1979, posthumous

Experiences, OUP, 1969

Albert Camus

April 21 2013

Film (called Albert Camus, not Algérie, mon amour), 1973, by Cécile Clairval. Director Paul Vecchiali.

1911

April 17 2013

Ravel, Ma mère l’oye (Mother Goose), Ernest Ansermet, Orchestre de la Suisse Romande, recorded 1951

Franzensring 1906

April 16 2013

A section of the Ringstrasse then named after Francis II. Now Dr-Karl-Renner-Ring. Approaching the Burgtheater. Votivkirche in the distance on the left.

Film Museum, Vienna. Like the other two, worth watching in full screen.

March to the Ottakring cemetery, 1913

April 15 2013

On February 11 1913 the popular Social Democrat Member of Parliament Franz Schuhmeier was assassinated in a Vienna railway station by a disturbed unemployed man.

On Sunday February 16, more than a hundred thousand people turned up for his funeral, marching through the suburbs towards the Ottakring cemetery in the sixteenth district, a stronghold of the Labour movement. It was the largest demonstration in Vienna’s history to date.

Paul Kunschak was spared the death penalty and released from jail on November 20 1918 under the general political amnesty which followed the war.

Film Museum, Vienna.

Matzleinsdorf 1909

April 14 2013

Procession in Matzleinsdorf circa 1909. Is this a May procession to honour the Virgin Mary? Matzleinsdorf is part of Margareten, the fifth district of Vienna (Mariahilf, “Mary’s help”, is the sixth district). Notice the Kinematograph Theatre at the end. (We seem there to have moved into the fourth district, Wieden, so perhaps the procession is heading for the Stephansdom via the Kärntnerstrasse.) Also the car. Can anyone decode Ö.U.K.J.?

Film Museum, Vienna.

Huguenots and Nonconformists

April 12 2013

The evils of religious fanaticism in a seventeenth-century Western Christendom were, naturally, felt the most sharply and detested the most heartily by the people who suffered from them the most severely. These were the religious refugees (especially the Huguenot refugees from France after the revocation in A.D. 1685 of the Edict of Nantes) and the religious minorities which were allowed to remain in their homes at the price of political and social penalization (e.g. the Nonconformists in England after A.D. 1662). The penalty of political disfranchisement forcibly prevented the English Nonconformists from putting any of their treasure into the worship of an idolized parochial state, and so constrained them to put into Economics, Technology, and Science all of their treasure that did not go into their Free Churches. Thus it was no accident that the father of the eighteenth-century Western anti-religious philosophical Enlightenment should have been a seventeenth-century French Huguenot refugee in Holland, Pierre Bayle, or that the pioneers of the nineteenth-century Industrial Revolution in England should have been the eighteenth-century English Nonconformists.

Which may be true, but needs more examples.

1598-1685. The Edict of Nantes, issued on April 13 1598, by Henry IV, granted the Calvinist Protestants of France (Huguenots) substantial rights. It was revoked by Louis XIV (reigned 1643-1715) in 1685 in the Edict of Fontainebleau.

1685-1787. The stringency of policies outlawing Protestants was relaxed under Louis XV (reigned 1715-74) and was opposed by the Catholic (quasi-Calvinist) Jansenists. Prominent thinkers, including Turgot, argued in favour of religious tolerance. On November 7 1787, Louis XVI (reigned 1774-92) signed the Edict of Versailles, the pre-revolutionary Edict of Tolerance, which was registered in the parlement. This gave followers of all faiths – Calvinist Huguenots, Lutherans, Jews – civil and legal recognition and the right to form congregations. The Edict of Nantes had referred only to Protestants (including Lutherans?). Had any other edict governed Jews? Full religious freedom came with enactment of the Declaration of the Rights of Man and of the Citizen of 1789. Once Revolutionary armies got to other European countries, they followed a consistent policy of emancipating persecuted or discriminated religious communities (Catholic in some countries, Protestant in others, Jews in virtually all).

1662-1828. The 1662 measure against Nonconformists (non-Anglican Protestants) was the Act of Uniformity. (Puritans and Presbyterians who violated the 1549, 1552 and 1559 Acts of Uniformity may retrospectively be considered Nonconformists.) The term “dissenter” came into use particularly after the Act of Toleration of 1689, which exempted Nonconformists who had taken the oaths of allegiance and supremacy from penalties for non-attendance at services of the Church of England. In England, Nonconformists were restricted from many spheres of public life until the repeal of the Test and Corporation Acts in 1828. The Roman Catholic Relief Act followed in 1829. What was the position of substantially-Nonconformist Wales under each of these measures?

An Historian’s Approach to Religion, OUP, 1956 (footnote)

Puccini’s funeral

April 11 2013

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December 1 1924: film of Puccini’s funeral in Brussels.

The end of an era. Was it a state funeral, as stated here? He had taken a train there from Milan on November 4 for radiotherapy for throat cancer and died there of a heart attack on November 29. The cortège is perhaps on its way to the station for the journey back. The music is the chorus at the end of Turandot:

“Love!
O Sun! Life! Eternity!
Love is the light of the world!
Our infinite happiness
Laughs and sings in the Sun!
Glory to you! Glory to you!”

Or is it the similar one at the end of Act 2? Followed by part of the Act 2 intermezzo from Manon Lescaut.

The final gong

April 11 2013

Three unfinished final works use gongs: Mahler’s tenth symphony, in the Purgatorio section, at least in Deryck Cooke’s performing version; Puccini’s Turandot; and Elgar’s third symphony, at least as elaborated by Anthony Payne. They hadn’t yet become a cliché of film music.

The Abschied section of Mahler’s Das Lied von der Erde had begun, in Tony Duggan’s words, with “heavy tolling of harp and gong”.

Turandot required thirteen gongs. The chorus at the end of the second act starts at 3:42 in the Bolshoi clip below (performers not stated). The first gong is at 4:26. Strangely enough, it is the notes from 3:54 to 4:01 which always get me. Puccini is reaching for something beyond his grasp in this opera. He could not finish it.

Elgar had written to Ernest Newman that the slow movement of his new symphony would open “vast bronze doors into something strangely unfamiliar”.

Gongs announce the unknown. And something else is passing. The three visionary composers were representatives of a culture that was disintegrating.

A fourth dying composer, Britten – influenced by Mahler, most successful opera composer to have lived after Puccini and Strauss (there’s verismo in Peter Grimes), fellow-countryman of Elgar – gave an important role to a gong in a late work which he did complete: Death in Venice.

A gong evokes both the vibration of bells and the sound of the sea. The bells seem drowned in the sea. Was Britten consciously composing the phrase “gong-tormented sea”? Has anyone asked this before? The horses of St Mark’s came from Byzantium. Peter Grimes and Billy Budd had also been sea-operas.

The most Puccinian music ever written by an English composer is the funeral march by Walton for the film of Hamlet with Laurence Olivier.

Winter champagne

April 5 2013

Jean Françaix’ 1936 piano concerto. Françaix playing, Nadia Boulanger conducting the Orchestre Philharmonique de Paris, which lasted from 1935 to ’38. Recorded February 9 1937, Studio Albert, Paris.

A YouTube commenter, who must have been in Britain, wrote yesterday: “Musical Dom Perignon in this prolonged winter”.

It’s also here and here, possibly from a cleaned-up CD. Cf Poulenc’s concerto for two pianos (1932), his own concertino (1932) and Milhaud’s first concerto (1933). Françaix went on writing elegant music until 1997: here is the long list.

jeanfrancaix.org

Bach: A Passionate Life

April 1 2013

John Eliot Gardiner’s Bach documentary, BBC2 yesterday, was worth watching, despite mildly silly title. iPlayer until April 6 and should appear elsewhere after that. Gardiner will be 70 this month.

Lily and Crescent

March 20 2013

… and other impious unions.

There was [...] a fitful co-operation between France and the Ottoman Empire against the Hapsburg Power from the generation of Francis I and Suleymān the Magnificent onwards, while in the eighteenth century Sweden and Poland were drawn towards the Ottoman Empire by their common concern over the rising power of Russia.

There had been an earlier, sixteenth-century Polish-Ottoman alliance. The Crimean War saw Britain, France and Sardinia nominally on the side of the Ottoman Empire. The First World War saw Germany allied with Turkey.

A Study of History, Vol I, OUP, 1934

Classic widows

March 13 2013

Elisabeth Furtwängler’s death at 102 illustrates an emerging law (was it always there?) that widows of classical musicians live a very long time.

Elsa Respighi died in 1996 at 101.

Sidonie Goossens died in 2004 at 104; she was a Goossens sibling, not spouse, but her first husband was a musician.

Ursula Vaughan Williams died in 2007 at a mere 96.

Madeleine Milhaud died in 2008 aged 105.

Lady Barbirolli died the same year at 97.

Lady Bliss died the same year aged 104.

Lady Walton is an exception: she was only 83 when she died in 2010 (on the same day as Wagner’s grandson, who was 90).

Frank Martin’s widow is still alive at nearly 100.

Ken Russell made a 52-minute film called Classic Widows for the South Bank Show (ITV, 1995) about the widows of William Walton, Bernard Stevens, Benjamin Frankel and Humphrey Searle.

First clip of four.

Conclave

March 13 2013

Hildebrand, who became Pope Gregory VII, in fighting the brigand-nobles of the former Ducatus Romanus, embarked on a worldly and political course which ended, in his war with the Holy Roman Empire, with a betrayal of the Church’s spiritual purposes.

The inward moral character of his acts [was at first] difficult indeed to divine. At his last hour, forty years after, the answer to the riddle was already less obscure; for in A.D. 1085, when he was dying as a Pope in exile at Salerno, the more venerable city that was his see lay prostrate under the weight of an overwhelming calamity which her bishop’s policy had brought upon her only the year before. In 1085 Rome had just been looted and burnt by the Normans – more ferocious brigands than any native Roman breed – whom the Pope had called in to assist him in a military struggle which had gradually spread from the steps of Saint Peter’s altar, where it had started forty years before, until it had engulfed the whole of Western Christendom.

The climax of the physical conflict between Hildebrand and Henry IV gave a foretaste of the deadlier and more devastating struggle which was to be fought out à outrance between Innocent IV and Frederick II; and by the time when we come to the pontificate of Innocent IV our doubts will be at an end. Sinibaldo Fieschi bears witness against Ildebrando Aldobrandeschi that, in choosing the alternative of meeting force by force, Hildebrand was setting the Hildebrandine Church upon a course which was to end in the victory of his adversaries the World, the Flesh, and the Devil over the City of God which he was seeking to bring down to Earth.

No Politick admitteth nor did ever admit
the teacher [Christ] into confidence: nay ev’n the Church,
with hierarchy in conclave compassing to install
Saint Peter in Caesar’s chair, and thereby win for men
the promises for which they had loved and worship’d Christ,
relax’d his heavenly code to stretch her temporal rule.

[Footnote: Bridges, Robert: The Testament of Beauty (Oxford 1929, Clarendon Press), Book IV, ll. 259-64.]

A Study of History, Vol IV, OUP, 1939

The tram-driver

March 8 2013

Sawallisch (Telegraph) was a great Strauss conductor, but the finest was Böhm. I discovered the second horn concerto (1943), the beginning of late Strauss if it wasn’t Daphne (which he dedicated to Böhm) or Danae or Capriccio, in 1979 in the recording with Dennis Brain and Sawallisch, and I associate it with that year. It sounds harsh on YouTube.

I heard and saw Böhm (face and demeanour of a Viennese tram-driver) with Rysanek in Elektra more than once in Vienna in the ’70s. The clip here is from ’81. Böhm died in August that year. Mozart and Strauss sound right with him and that’s all there is to it, and the better Elektra is conducted or played, the less it sounds like the brink of tonal disintegration and the more like infinitely spun-out tunes. “Play it like fairy music.”

I had forgotten that appalling plunging motif which is the first thing you hear in the orchestra here, a variant of the Agamemnon motif (it will now re-enter the benign tinnitus in my mind), but not the rolling one that follows it, which I occasionally sing in the shower and is one of those ideas to which Thomas Mann refers in Doktor Faustus, apropos Salome, in fact, where “after great expense of affronts and dissonances everything turns into good nature, beer good nature (sic), gets all buttered up, so to speak, appeasing the philistine and telling him no harm was meant”. Lowe-Porter translation via Kindle.

Religioso

March 7 2013

Have decided I prefer religious music before 1750 (going back as far as you like) and after 1900 to what comes in the middle, which is the age of religioso.

America and Rome

February 22 2013

… or Ancient, famous states; or The vulgarians of  the west

Herbert Hart and I were speaking despairingly of the Americans, – these callow, touchy, boastful, flatulent invaders, who seem to think themselves, as politicians, a match for the case-hardened double-crossers of struggling, tortured Europe. Will they never see, I protested, that they are only great children, pampered children of the rich, among experienced and desperate sharpers? Will they never admit that Europe, though torn with immemorial conflicts, is still the foundry of the world’s ideas, while they are fresh from their luxurious nursery? But Herbert likened them to the Romans in the second century B.C., when they overran the East; and they look on us, he said, as the Romans looked upon the Greeks, miserable people, scratching about subtleties and upsetting the peace of the world. What interest have they in the ideas that divide Darlan from de Gaulle? Now I had recently been reading Mommsen, and I saw in terrible detail the picture he had suggested, – those sudden vulgarians of the west, like a fresh, loud, frothy heedless tidal wave, deluging the brilliant but atomised republics, the ‘ancient, famous states’ of the old world, and burying their splendid past in universal banality.”

___

Richard Davenport-Hines, editor, Hugh Trevor-Roper, The Wartime Journals, IB Tauris, 2012.

Those high-donnish journals are fascinating early Roperiana. The young man seems to parody his older self. Long swathes are about hunting. This passage is silly, but I suppose Hart and Trevor-Roper have a point.

The entry is from January 1943, when Trevor-Roper was in radio intelligence in MI6. Davenport-Hines does not identify the phrase “ancient, famous states”, but it is from a speech by Churchill at the Lord Mayor’s Day luncheon at Mansion House on November 10 1941 in which he warned, four weeks before Pearl Harbour, that Britain would fight on the side of the United States in the event of war between America and Japan. Trevor-Roper uses it again, without quotation marks, in The Last Days of Hitler. The idea for that book came in a conversation between Trevor-Roper, Hart and Dick White.

Wells on Daisy Miller

America and Rome: Google search

Tomomi Nishimoto

January 18 2013

Most people play Brahms’s Hungarian Dances badly. Many take them too fast. They are hard to play well. In my view, Tomomi Nishimoto gets these two right. Or could the start of the first be a shade slower? Could the syncopations in 5 be more pronounced? Probably, to the second question. But a wonderful conductor. If she records a full set, I’ll buy it.

1 is with the Budapest Philharmonic, 5 with the Russian Bolshoi Symphony Orchestra. The first is one of the three that Brahms himself orchestrated.

Slothful Germans

January 17 2013

“During the intervals between between bouts of war, [the Germans] [bracket in original] spend a little of their time in hunting, but most of it in doing nothing. They give themselves up to sleeping and eating, and it is precisely the bravest and most warlike of them that are the most idle. They leave it to the women, the old men, and the unfit members of the family to look after the home, the household, and the fields, while the warriors laze. It is a curious incongruity in their character that they should so love sloth and at the same time so hate tranquility” (Tacitus: Germania, chap. 15).

A Study of History, Vol VIII, OUP, 1954 (footnote)

Quasi adagio in Amsterdam

December 8 2012

Villa-Lobos is the obvious stop en route from Milhaud to Niemeyer. (You might get sent to the YouTube site to listen to this. It is worth watching as well as hearing.)

Many things, including much of the music, prevent people from recognising Heitor Villa-Lobos as a great composer. Stravinsky was asked whether Elgar was a great composer. “Of course he is not, but he is thought greatly of.” A nice Stravinskyism and, of course, like some other nice Stravinskyisms, nonsense.

Villa-Lobos’s quartets are in the league of Bartók’s and Shostakovich’s, some have said, (Haydn, he tells us, was his model), but they were unknown until recently, at least outside Brazil. I have argued (not here) for the seventeenth.

Peter Schneider has put the third movement of the sixth over his own photographs of people in Amsterdam. Cuarteto Latinoamericano. Saul Bitran – violin 1, Aron Bitran – violin 2, Javier Montiel – viola, Alvaro Bitran – cello. If you listen to this, especially the middle section, you might find yourself thinking: “Perhaps he really is a great composer.”

The Amazon reviews of the Cuarteto Latinoamericano’s recorded set are worth reading, especially one by Dean Frey, who runs a Villa-Lobos website.

Villa-Lobos is comparable (and contrastable) with Milhaud in many different ways, which I don’t have time to summarise. From 1917 to 1918 (nearly two years) Milhaud was secretary to Paul Claudel, the French ambassador to Brazil, in Rio de Janeiro. He would set many of Claudel’s dramatic works to music and composed an orchestral Symphonie pour l’univers claudélien as late as 1968.

Claudel was an austere Catholic, but the French legation in those years may itself have been a conduit for new cultural ideas entering Brazil.

The Ballets russes visited in 1917 (without Diaghilev). Villa-Lobos, according to Milhaud, in his Ma vie heureuse (shocking title), was still playing the cello in front of a cinema (which others have said was the Odeon in the Avenida Rio Branco). He was busking as late as 1917? That was the year of his revolutionary Amazonas and of Uirapuru.

In February 1922, he would participate in the Semana de Arte Moderna, the Week of Modern Art, in São Paulo: a seminal and never-forgotten event in Brazilian cultural history.

His quartets are distributed over his career, with a gap in the ’20s. Numbers 5 and 6 were respectively termed “Popular” and “Brazilian” quartets. They were written in 1931 and ’38. This was during the dictatorship of Getúlio Vargas.

Vargas was in power from 1930 to ’45 – and those are exactly the years of the idiosyncratic synthesis of Bach with Brazilian musical elements that Villa-Lobos called his Bachianas Brasileiras. In some works in that series (which, like the Chôros which preceded them, were scored for anything from a single instrument to a large orchestra) he was a great composer. For exuberance, his own recordings of them (and of much else) for French EMI in the ’50s, collected in a huge boxed set called Villa-Lobos par lui-même, have never been beaten.

The folksy fifth quartet is played more often than the, I think, more interesting sixth. What we have in this clip is only the third movement of a consistently inspired work. Like many other composers, he had written in a wilder, more experimental, way in the ’20s (the Chôros) and felt a need in the ’30s for a return to somewhat tighter formal structures. His weakness was diffuseness. Hence the Bachianas and the renewed interest in the discipline of quartet-writing.

It was also, for Villa-Lobos as for many composers in the ’30s, a matter of making their music more comprehensible and communicative, of coming out of the ivory tower of the avant-garde. Compare Rudepoêma (1921-26) with Ciclo Brasiliero (1936-37), both for piano (though the ’20s also produced the straightforward Cirandinhas and Cirandas). The sixth quartet was written at the time when, in the northern part of the hemisphere, Copland was writing his most appealing music (the period from El Salón México in 1936 to the second set of Old American Songs in 1952). Even Bartók wrote a popular masterpiece in 1943.

After the war, Villa-Lobos’s large-scale works were often rather formulaic responses to commissions. Most of his best work was in the chamber medium.

Peter Schneider has another YouTube sequence of Amsterdam pictures with the slow movement of the eighth quartet and one with an abstract image with the slow movement of the eleventh.

Distribution of the quartets:

1 1915
2 1915
3 1917
4 1917
5 1931
6 1938
7 1942
8 1944
9 1945
10 1946
11 1948
12 1950
13 1951
14 1953
15 1954
16 1955
17 1957
18 sketches

The most enjoyable may be the rather innocent first, and the sixth and seventeenth. The slow movement of the sixteenth has harmonic transfigurations worthy of the Hammerklavier.

Brubeck on Milhaud

December 7 2012

A slightly longer version of the TCM clip I linked to yesterday without embedding it. From the Eastwood-sponsored film on Dave Brubeck.

The man who taught Brubeck

December 6 2012

Milhaud

Dave Brubeck studied with one of my hyperprolific heroes, Darius Milhaud, and named his son Darius. He was at Mills College, in the Bay Area of San Francisco, only for a year, 1946-47, but continued to see the French composer.

Milhaud, français de Provence et de religion israélite, was in exile during the war, but prolonged his American stay and alternated between Mills and Paris until 1971. He encouraged Brubeck to stick with jazz and study fugue and orchestration, but not classical piano. See John Salmon, What Brubeck Got from Milhaud, American Music Teacher, February/March 1992.

Charming clip at Turner Classic Movies (which I don’t know how to embed) from Dave Brubeck: In His Own Sweet Way, a film made for Brubeck’s 90th birthday. Bruce Ricker, director and producer. Clint Eastwood, executive producer. “Historian Ashley Kahn adds context as Dave Brubeck, in several interviews, one with wife Iola, remembers his professor and mentor, composer Darius Milhaud.”

It incorporates part of A Visit with Darius Milhaud, a film made by Ralph Swickard in 1955. I like the moment where Milhaud calls to his wife Madeleine (who died in 2008): “I just finished the second movement of the sonatina, do you want to come and try it on the piano?” An utterance as momentous in the Milhaud household as “I finished the washing up, do you want to come and help with the drying?”. It doesn’t sound like the oboe sonatina of around that time.

Alex Ross had an entry about Brubeck and Milhaud a while back.

Here is Milhaud’s jazz-inspired La création du monde, composed after a visit to Harlem in 1922. The premiere was in Paris with the Ballets suédois – a kind of Swedish Ballets russes – which had commissioned it. Set and costumes by Léger. Here with Orchestre National de France under Bernstein. Some people prefer it with a smaller ensemble.

Constantinople and Vienna

December 4 2012

Twin sieges. Of Constantinople by Arabs: 674-78 and 717-18. Of Vienna by Turks: 1529 and 1682-83.

The Arabs never returned to the walls of Constantinople, nor the Turks to Vienna.

From Leo III the Isaurian to Francis II

December 1 2012

Imperial reigns:

Leo III Syrus (the Isaurian) 717-41

Charlemagne 800-14

Otto I 962-73

Otto III 996-1002

Henry IV 1084-1105

Frederick I (Barbarossa) 1155-90

Frederick II (Stupor Mundi) 1220-50

Francis II 1792-1806

Athênê Poliûchus, Athânâ Chalcioecus, Tychê Antiocheôn, Fortuna Praenestina, and the other deified combatants in a mêlée of conflicting parochial idols had eventually been called to order by being subordinated to the oecumenical supremacy of a Dea Roma and a Divus Augustus; and a post-Diocletianic absolute version of this consolidated worship of the concentrated power of a politically unified Mankind was formally revived in Western Christendom, a quarter of a millennium before the revival of city-state-worship in Lombardy, when Charlemagne was crowned as a Roman Emperor by Pope Leo III in Saint Peter’s on Christmas Day A.D. 800.

The memory of this Carolingian evocation of a “holy” Roman ghost of an extinct Hellenic universal state cannot come into our minds without reminding us simultaneously that, since then, the same ghost had been re-evoked again and again in the Western World in the course of the eleven and a half centuries that had elapsed between the date of the coronation of Charlemagne at Rome and the time of the writing of these lines.

The all but fatal collapse of the nascent Western Christian Civilization itself, which had been the price of Charlemagne’s failure to resuscitate the Roman Empire in the West effectively, did not deter a Saxon Otto I from repeating his Austrasian predecessor’s attempt; and the subsequent failure of Otto’s attempt in its turn did not deter a Swabian Frederick I [Barbarossa] from attempting, for his part, to undo the political effects of the humiliation of a Franconian Henry IV at Hildebrand’s hands by employing against a triumphant Hildebrandine Church the refurbished spiritual weapon of a recently disinterred Justinianean Law. Thereafter, when Frederick Barbarossa’s experience had demonstrated that the necromancer’s wand provided by his Bolognese legists was a broken reed, his grandson Frederick Stupor Mundi set himself to reverse, at the eleventh hour, the cumulative disaster of Charlemagne’s, Henry IV’s, and Frederick I’s successive discomfitures – though the weapon in which Frederick II trusted to conjure a victory out of his forlorn hope was one which had missed fire, more than two hundred years back, in the hands of his Saxon predecessor Otto III.

This imaginative tenth-century forerunner of a thirteenth-century Stupor Mundi had sought to condense an insubstantial wraith of a defunct Imperium Romanum into at least a similitude of flesh and blood by transferring the seat of a rehabilitated Western Christian “Holy Roman Empire” from Western Christendom’s Saxon marches over against the North European barbarians to her Roman march over against Orthodox Christendom. At the turn of the tenth and eleventh centuries of the Christian Era the Ducatus Romanus was a patch of common ground on which the domains of the two Christendoms overlapped; and, in installing himself in the ci-devant Imperial City, Otto III had hoped to fortify the sickly counterfeit of the Roman Imperial Power that had been palmed off on Western Christendom by reinforcing it with tougher metal imported from a Byzantine mint. The success of Leo III Syrus’s revival of the Roman Empire in Orthodox Christendom had been as conspicuous as the failure of Charlemagne’s subsequent attempt to perform a corresponding feat of political necromancy in the West. Could not a clumsy Western necromancer’s abortive essay be salvaged by the Herodian expedient of turning to Western Christendom’s account the achievements of an Orthodox Christian necromancer’s virtuosity?

This complicated experiment of trying to raise the ghost of a dead civilization by employing a living civilization as a medium, which Otto III had failed to carry to success in the cultural crucible of a late-tenth century City of Rome, was repeated by Frederick II under more promising conditions in a thirteenth-century Kingdom of Sicily which was the East Roman Empire’s Transadriatic successor-state. The outcome of this more ambitious adventure in the black art of political alchemy was [...] a war to the death between a pseudo-Byzantine “Holy Roman Empire” and a Hildebrandine Papal Roman Church which brought the victorious ecclesiastical combatant to the ground in the same ruin as his vanquished secular adversary and thereby compromised the future of a promising Western Christian attempt to explore a previously untried approach towards the goal of the baffling enterprise of Civilization. Yet the ghost of an obsolete Hellenic institution that had been so inauspiciously raised at the close of the eighth century of the Christian Era by an Austrasian king and a Roman patriarch was still able to induce fresh Western victims to feed it with their life-blood within full view of their infatuated predecessors’ unburied corpses.

By the time of the extirpation of Frederick II Hohenstaufen’s brood, the cumulus of historic disasters, that had gradually come to be associated with academic pretensions to the imperial prerogative in the West, had gathered round a tragic imperial crown into a lowering nimbus which might have been expected to serve as an effective deterrent against any further repetition of Charlemagne’s folly. Yet this scarecrow Caesarea Maiestas was eagerly appropriated by the architects of a Danubian Hapsburg Monarchy for the sake of the prestige that it could still lend to their strictly practical enterprise of providing an Early Modern Western World with a local carapace to protect it against Ottoman aggression in the Danube Basin; and, after the decay of the Ottoman Power had rendered a Hapsburg Empire’s service to the Western Civilization superfluous, [a Corsican adventurer proclaimed himself Emperor and on December 2 1804 crowned himself in Paris in the presence of Pope Pius VII].

The last Holy Roman Emperor, Francis II, abdicated on August 6 1806.

Leo the Isaurian, for Toynbee, is the real founder of a remodelled Orthodox Christian Roman Empire in the east:

The Roman Empire in the East ran out between the death of Justinian in A.D. 565 and the overthrow of Maurice in A.D. 602, the East Roman Empire was constructed by Leo Syrus (imperabat A.D. 717-40).

All Byzantine Emperors regarded themselves as “Roman” Emperors. The first use of the word “Byzantine” was in 1557, when the German historian Hieronymus Wolf published his Corpus Historiæ Byzantinæ, a collection of historical sources. The term comes from Byzantium, the name of Constantinople before it became the capital of Constantine.

In 812 the emperor Michael I Rhangabes recognised Charlemagne as Emperor, although not necessarily as “Emperor of the Romans”. What were the relations between the two emperors between 962 and 1453?

The second and third Romes

Augustuli

A Study of History, Vol IX, OUP, 1954

A Study of History, Vol VII, OUP, 1954 (footnote)

Facing east

November 28 2012

The Hapsburg monarchy:

This scarecrow Caesarea Maiestas [...].

A Study of History, Vol IX, OUP, 1954

Goethe in China

November 27 2012

Was Goethe inspired by some picture, or pictorial image, of Chinese provenance when he wrote

Kennst du den Berg und seinen Wolkensteg?
Das Maultier sucht im Nebel seinen Weg,
In Höhlen wohnt der Drachen alte Brut,
Es stürzt der Fels und über ihn die Flut:
Kennst du ihn wohl?
Dahin! Dahin
Geht unser Weg; O Vater, lass uns ziehn!

He doesn’t give a reference, but this is the third and last section of the visionary song that opens Book Three of Wilhelm Meisters Lehrjahre (1795-96) sung by the waif Mignon accompanying herself on a zither. The song begins “Kennst du das Land, wo die Zitronen blühn [...]?”.

Juliane Banse in the orchestral version, made by Wolf, of the Wolf setting; Deutsches Symphonie-Orchester Berlin, Kent Nagano:

A Study of History, Vol IX, OUP, 1954 (footnote)

Bayle and Diderot

November 26 2012

In this cultural civil war [between ancient and modern learning], whose outcome carried the Western Civilization out of an Early Modern into a Late Modern chapter of its history, one of the signs of the times was the publication at Rotterdam, in A.D. 1695-7, of Pierre Bayle’s Dictionnaire Historique et Critique; for Bayle, the déraciné Southern French Protestant who had found his congenial second home at the meeting-point of an expanding Western World’s oceanic and inland waterways at Rotterdam, was one of the prophets of a Rationalism which was a revulsion from the Wars of Religion, and one of the founding fathers of a “Republic of Letters” which was a secular substitute for a lost Medieval Western Respublica Christiana, [footnote: An illuminating appreciation of Bayle’s personality, outlook, and work will be found in Hazard, P.: La Crise de la Conscience Européenne, 1680-1713 (Paris 1935, Boivin), pp. 101-18.] while Bayle’s dictionary was the parent of Diderot’s and d’Alembert’s Encyclopédie (editum A.D. 1751-65) [footnote: In eighteen volumes of text and four volumes of plates.] and thus the grandparent of all subsequent Western works of co-operative intellectual engineering [...].

A Study of History, Vol IX, OUP, 1954

Simenon’s Le président

November 17 2012

Somebody has asked me why Simenon’s masterly 1958 novel, The President, has that title when it is all about a prime minister who never became president. He was reading it in English. The French title is Le président. It was one of five 1958 Simenons.

He had written it the year before, at the end of the Fourth Republic (1946-58). Under that constitution and that of the Third Republic (1870-1940), the President of the Council (of Ministers) was the leader of the executive branch, and informally Prime Minister. The President of the Republic, elected by the two chambers of Parliament, was a figurehead. So the premier could also be referred to as the president. And often would have been.

This also explains why Simenon’s hero is such a venerable figure even though a mere ex-prime minister. He is, in fact, partly modelled on Clemenceau. The translation by Daphne Woodward was originally called The Premier in both the UK and US. The 2011 US reprinting by Melville House has been renamed The President, unhelpfully for English readers, particularly since the translation constantly refers to “the Premier”, and with no explanation.

The Fifth Republic (1958-) was created to deal with the Algerian crisis. De Gaulle, in retirement for the whole duration of the Fourth Republic, came back as President of the Republic (1959-69). The Third and Fourth republics had been built on unstable parliamentary systems. The new constitution gave France strong presidential government for the first time, at least since Louis-Napoléon. The prime minister remained the senior figure in the Council of Ministers (cabinet), but was no longer President of it. The Council was now chaired by the President of the Republic.

The First Republic (1792-1804) contained the National Convention, the abolition of the monarchy (Louis XVI and Marie Antoinette were executed in 1793; the uncrowned Louis XVII died in prison in 1795 aged ten), the Reign of Terror and the Directory, the Thermidorian Reaction and, finally, the creation of the Consulate and Napoleon’s rise to power.

The First Empire lasted until 1814. Napoleon I’s son Napoleon II reigned for a few days in 1814 and in 1815. Louis-Napoléon, Napoleon III, was Napoleon’s nephew by his brother Louis.

The Bourbon restoration (1814 to 1830, except for the Hundred Days) brought Louis XVIII, Charles X, Louis XIX, Henri V. Louis XIX reigned for twenty minutes (the shortest alleged reign in at least modern history, with the possible exception of that of Luís Filipe of Portugal in 1908), Henry V for a week.

The July Revolution brought the July Monarchy (1830-48) under the liberal Orléans branch of the House of Bourbon (Louis-Philippe).

The President for most of the Second Republic (1848-52) was Louis-Napoléon Bonaparte, who then became ruler of the Second Empire (1852-70). So the French presidency was founded in 1848.

I’ll try to do a post on the history of French elections.

Louis-Napoléon was not, strictly speaking, the first president to have become an emperor. Agustín de Iturbide, the general who helped to secure Mexican independence, briefly made the transition in 1822. Faustin I of Haiti made it in 1849. Jean-Bédel Bokassa would make it in Central Africa in 1976. See my post on Augustuli.

My Simenon website is here. It’s complete as far it goes, but I need to do more work on it.

Léo Marjane

November 16 2012

Still alive.

Mon cœur est léger, recorded 1940. Composer Wal-Berg. Lyrics François.