The clips (here, here, here, here) that were shown before the works performed by the Cleveland Orchestra (now, for better or worse, under Franz Welser-Möst) at their concert for Boulez on January 15 show somebody very different from an arrogant iconoclast. The programme was his own Twelve Notations (for piano); Berg, Three Excerpts from Wozzeck; Debussy, Jeux; Boulez, Notations I, VII, IV, III, II (orchestral version).
An equivalent at the Barbican on April 23 with the LSO under Peter Eötvös will have Boulez’s Livre pour cordes and Rituel in memoriam Bruno Maderna and, between them, the seminal (but otherwise overrated?) The Rite of Spring.
Bob Shingleton on Rituel, and Boulez’s relationship with the BBC SO, whose chief conductor he was from 1971 to ’75. Their celebration at the Barbican, on March 21 under Thierry Fischer, had Pli selon pli and Notations.
Boulez’s lack of interest in Brahms, a composer, presumably, with plenty of “structure” and “necessity” (even if he came from the conservative side of the nineteenth century), is puzzling.
One would like to know Boulez’s views on some non-musical matters, or does he exist solely in music?
Rituel, performers not stated: