Wells’s A Short History of the World (1922) is not an abridgement of his much longer The Outline of History (1919-20), but (he claimed) a new work. They are no more than period pieces now, but enjoyable in small doses because Wells. This is from the shorter work.
The omissions are of words and phrases that make no sense, but I have left the rest as it is.
“The earliest boats […] must have come into use some twenty-five or thirty thousand years ago. Man was probably paddling about on the water with a log of wood or an inflated skin to assist him, at latest in the beginnings of the Neolithic period. A basketwork boat covered with skin and caulked was used in Egypt and Sumeria from the beginnings of our knowledge. Such boats are still used there. They are used to this day in Ireland and Wales and in Alaska; sealskin boats still make the crossing of Behring Straits. The hollow log followed as tools improved [might it not have preceded?]. The building of boats and then ships came in a natural succession.
“Perhaps the legend of Noah’s Ark preserves the memory of some early exploit in shipbuilding, just as the story of the Flood, so widely distributed […], may be the tradition of the flooding of the Mediterranean basin.
“There were ships upon the Red Sea long before the pyramids were built, and there were ships on the Mediterranean and Persian Gulf by 7000 B.C. Mostly these were the ships of fishermen, but some were already trading and pirate ships – for knowing what we do of mankind we may guess pretty safely that the first sailors plundered where they could and traded where they had to do so.
“The seas on which these first ships adventured were inland seas on which the wind blew fitfully and which were often at a dead calm for days together, so that sailing did not develop beyond an accessory use. It is only in the last four hundred years that the well-rigged, ocean-going, sailing ship has developed. The ships of the ancient world were essentially rowing ships which hugged the shore and went into harbour at the first sign of rough weather. As ships grew into big galleys they caused a demand for war captives as galley slaves.
“We have already noted the appearance of the Semitic people as wanderers and nomads in the region of Syria and Arabia, and how they conquered Sumeria and set up first the Akkadian and then the first Babylonian Empire. In the west these same Semitic peoples were taking to the sea. They set up a string of harbour towns along the Eastern coast of the Mediterranean, of which Tyre and Sidon were the chief; and by the time of Hammurabi in Babylon, they had spread as traders, wanderers and colonizers over the whole Mediterranean basin. These sea Semites were called the Phœnicians, They settled largely in Spain, pushing back the old Iberian Basque population and sending coasting expeditions through the straits of Gibraltar; and they set up colonies upon the north coast of Africa. Of Carthage, one of these Phœnician cities, we shall have much more to tell later.
“But the Phœnicians were not the first people to have galleys in the Mediterranean waters. There was already a series of towns and cities among the islands and coasts of that sea belonging to a race or races apparently connected by blood and language with the Basques to the west and the Berbers and Egyptians to the south, the Ægean peoples. These peoples must not be confused with the Greeks, who come much later into our story; they were pre-Greek, but they had cities in Greece and Asia Minor; Mycenæ and Troy for example [which would become Greek], and they had a great and prosperous establishment at Cnossos in Crete.
“It is only in the last half century that the industry of excavating archæologists has brought the extent and civilization of the Ægean peoples to our knowledge. Cnossos has been most thoroughly explored; it was happily not succeeded by any city big enough to destroy its ruins, and so it is our chief source of information about this once almost forgotten civilization.
“The history of Cnossos goes back as far as the history of Egypt; the two countries were trading actively across the sea by 4000 B.C. By 2500 B.C., that is between the time of Sargon I and Hammurabi [modern dating places Sargon of Akkad around 2300 BC, Hammurabi of Babylon around 1800 BC], Cretan civilization was at its zenith.
“Cnossos was not so much a town as a great palace for the Cretan monarch and his people. It was not even fortified. It was only fortified later as the Phœnicians grew strong, and as a new and more terrible breed of pirates, the Greeks, came upon the sea from the north.
“The monarch was called Minos, as the Egyptian monarch was called Pharaoh; and he kept his state in a palace fitted with running water, with bathrooms and the like conveniences such as we know of in no other ancient remains. There he held great festivals and shows. There was bull-fighting, singularly like the bull-fighting that still survives in Spain; there was resemblance even in the costumes of the bull-fighters; and there were gymnastic displays. The women’s clothes were remarkably modern in spirit; they wore corsets and flounced dresses. The pottery, the textile manufactures, the sculpture, painting, jewellery, ivory, metal and inlay work of these Cretans was often astonishingly beautiful. And they had a system of writing [Linear A], but that still remains to be deciphered.
“This happy and sunny and civilized life lasted for some score of centuries. About 2000 B.C. Cnossos and Babylon abounded in comfortable and cultivated people who probably led very pleasant lives. They had shows and they had religious festivals, they had domestic slaves to look after them and industrial slaves to make a profit for them. Life must have seemed very secure in Cnossos for such people, sunlit and girdled by the blue sea. Egypt of course must have appeared rather a declining country in those days under the rule of her half-barbaric shepherd kings, and if one took an interest in politics one must have noticed how the Semitic people seemed to be getting everywhere, ruling Egypt, ruling distant Babylon, building Nineveh on the upper Tigris, sailing west to the Pillars of Hercules (the straits of Gibraltar) and setting up their colonies on those distant coasts.
“There were some active and curious minds in Cnossos, because later on the Greeks told legends of a certain skilful Cretan artificer, Dædalus, who attempted to make some sort of flying machine, perhaps a glider, which collapsed and fell into the sea.
“It is interesting to note some of the differences as well as the resemblances between the life of Cnossos and our own. To a Cretan gentleman of 2500 B.C. iron was a rare metal which fell out of the sky and was curious rather than useful – for as yet only meteoric iron was known, iron had not been obtained from its ores. Compare that with our modern state of affairs pervaded by iron everywhere. The horse again would be a quite legendary creature to our Cretan, a sort of super-ass which lived in the bleak northern lands far away beyond the Black Sea. Civilization for him dwelt chiefly in Ægean Greece and Asia Minor, where Lydians and Carians and Trojans lived a life and probably spoke languages like his own. There were Phœnicians and Ægeans settled in Spain and North Africa, but those were very remote regions to his imagination. Italy was still a desolate land covered with dense forests; the brown-skinned Etruscans had not yet gone there from Asia Minor. And one day perhaps this Cretan gentleman went down to the harbour and saw a captive who attracted his attention because he was very fair-complexioned and had blue eyes. Perhaps our Cretan tried to talk to him and was answered in an unintelligible gibberish. This creature came from somewhere beyond the Black Sea and seemed to be an altogether benighted savage. But indeed he was an Aryan tribesman, of a race and culture of which we shall soon have much to tell, and the strange gibberish he spoke was to differentiate some day into Sanskrit, Persian, Greek, Latin, German, English and most of the chief languages of the world.
“Such was Cnossos at its zenith, intelligent, enterprising, bright and happy. But about 1400 B.C. disaster came perhaps very suddenly upon its prosperity. The palace of Minos was destroyed, and its ruins have never been rebuilt or inhabited from that day to this. We do not know how this disaster occurred. The excavators note what appears to be scattered plunder and the marks of the fire. But the traces of a very destructive earthquake have also been found. Nature alone may have destroyed Cnossos, or the Greeks may have finished what the earthquake began.”
Was the scene at the waterfront ever played out? Perhaps it was. An “Aegean” gentleman (whether or not of the blood and race of “Basques”, “Berbers” and “Egyptians”), presumably dark, from Cnossos meeting an “Aryan” slave-captive from the steppe?
Archive for the 'Greece' Category
In the village of Ankershagen, between Waren and Penzlin in the Duchy of Mecklenburg-Schwerin, of which Heinrich’s father, Ernst Schliemann, was the Protestant pastor, and where Heinrich lived from his second to his fifteenth year (A.D. 1823-36), there were two elements in the social milieu – the local folk-lore and the pastor’s personal interest in Hellenic history – that made their impress on Heinrich’s receptive mind; and “the persistence with which, throughout his life, he recalled the scenes of his youth and wrote to the people there – a family-feeling which no love of country had helped to nourish in this cosmopolitan – indicates the depth of those first experiences and discoveries”. [Footnote: Ludwig, E.: Schliemann of Troy (London 1931, Putnam), p. 135.]
“Just behind our garden was a pond called ‘das Silberschälchen’, out of which a maiden was believed to rise each midnight, holding a silver bowl. There was also in the village a small hill surrounded by a ditch, probably a prehistoric burial-place (or so-called Hünengrab), in which, as the legend ran, a robber knight in times of old had buried his beloved child in a golden cradle. Vast treasures were also said to be buried close to the ruins of a round tower in the garden of the proprietor of the village. My faith in the existence of these treasures was so great that, whenever I heard my father complain of his poverty, I always expressed my astonishment that he did not dig up the silver bowl or the golden cradle, and so become rich.” [Footnote: Schliemann, ibid., pp. 1-2. [Refers to Schliemann, H.: Ilios (London 1880, John Murray).]]
The curiosity of the future excavator of the treasures buried in the Second City at Troy and in the royal tombs at Mycenae was diverted from Mecklenburg to the Mediterranean by his father’s talk of the excavations at Pompeii and Herculaneum and his recital of the tale of the Trojan War; and here, twelve days before Heinrich’s eighth birthday, the decisive impact was made by an engraving, [footnote: reproduced by Emil Ludwig in his Schliemann of Troy (London 1931, Putnam), facing p. 106.] representing the flight of Aeneas from the burning city of Ilium, in a Universal History [footnote: written by Dr. Georg Ludwig Jerrer, and published at Nuremberg in 1828. Some forty years after Schliemann’s death, this volume was found among his books and papers in his house at Athens by his biographer (see Ludwig, Emil: Schliemann of Troy (London 1931, Putnam, p. 24).] which was the father’s present to his son on Christmas Day 1829. [Here is a link to an 1833 edition of the second volume.] The boy had long been grieved to hear from his father that Troy had vanished without leaving a trace, and this picture – depicting massive city-walls – was naïvely taken by little Heinrich as evidence that his father had after all, happily been mistaken, since the author of the book must have seen Troy as it was here represented. When his father replied that the picture was merely a fanciful one, Heinrich drew from him the admission of his belief that Troy must, in fact, have had walls as massive as those which the imaginary picture displayed.
“‘Father’, retorted I, ‘If such walls once existed, they cannot possibly have been completely destroyed: vast ruins of them must still remain, but they are hidden away beneath the dust of ages.’ He maintained the contrary, whilst I remained firm in my opinion, and at last we both agreed that I should one day excavate Troy. … Thanks to God my firm belief in the existence of that Troy has never forsaken me amid all the vicissitudes of my eventful career; but it was not destined for me to realise, till in the autumn of my life …, our sweet dreams of fifty years ago”. [Footnote: Schliemann, ibid., pp. 3 and 5.]
The “our” at the end, a long footnote tells us, refers not to Schliemann’s father but to a never-forgotten childhood friend with whom he had hoped to spend his life, Minna Meineke, the daughter of a neighbouring farmer.
Another footnote confusingly connects an observation that Waren was probably inhabited by descendants of Warni or Varini with one that the Teutonic-speaking barbarians who descended on the Aegean after AD 375 anticipated Schliemann’s descent.
The flight of Aeneas, in Jerrer’s Weltgeschichte für Kinder
Walls of Troy VII, the level likely to be the Troy of the Iliad; Schliemann, at least initially, placed Homer’s Troy lower, at the level of Troy II; Wikimedia Commons
Nine Troys, via ancient-wisdom.co.uk; opens in a new window; map by Lloyd K Townsend; image truncated: Troy I (2900-2500 BC) is at the bottom
A Study of History, Vol X, OUP, 1954
In the tenth volume of A Study of History (though there were two more to come, almost as afterthoughts), Toynbee is demob-happy. He throws off the scientific scholar’s mask and comes out as an unadulterated romantic. We read about his emotional responses to passages by great and not so great historians and at the sites of historical events. We learn about his heroes. All this is mocked by Trevor-Roper. A long passage about Schliemann, introduced in the last post, who overcame all personal difficulties and disadvantages and transformed the study of ancient Greece, is therefore uncritical. I will quote more of it in a future post.
In the present writer’s mind, the heroic exemplar of an invincible curiosity’s response to the challenge of heart-breaking circumstances had always been Heinrich Schliemann (vivebat A.D. 1822-90), ever since a memorable day at Winchester when the writer as a boy had listened spell-bound to his master M. J. Rendall retailing, with zest, the salient episodes of this romantic life in a parenthesis during a session officially allocated to the construing of the Iliad.
[Schliemann], who had spent his fifteenth to his forty-second year (A.D. 1836-63) in accumulating the means, spent his forty-seventh to his sixty-ninth year (A.D. 1868-90) in disinterring from the ground, and retrieving from oblivion, not only Troy, but Ithaca, Mycenae, Orchomenos, and Tiryns as well.
In an Annex, Toynbee, after further examining Schliemann’s international business career, celebrates other businessmen who were also serious scholars: George Grote, James Ford Rhodes, Walter Leaf. Grote was a banker in Threadneedle Street and wrote a history of Greece which became famous. Rhodes was an American industrialist and historian of the US. Leaf was the chairman of Westminster Bank and the leading Homer exegete of his day. Leaf did much of his work before retiring.
Goethe is Toynbee’s main German hero. But Goethe never visited Greece: he discovered Greek architecture in Sicily and was startled by its simplicity. Toynbee hardly ever mentions Goethe’s
revered plebeian forerunner Johann Joachim Winckelmann, the shoemaker’s son
who first articulated the difference between Greek, Greco-Roman and Roman art, also never visited Greece, and has a claim to have been the founder of modern archaeology. The fashion of going to Greece started with Byron, when Goethe was old.
Toynbee, like less romantic people of his generation, hero-worshipped Schliemann, but Schliemann’s shortcomings were well known when he was writing. Schliemann timeline:
1868. Having made his money, visited Homeric sites in Greece and Asia Minor.
1869. Published first book, Ithaka, der Peloponnes und Troja, in which he argued that Hisarlık, a large man-made mound in Asia Minor, not Pınarbaşı, a short distance south of it, was the site of Troy (as it is still thought to be) and that the graves of the Greek commander Agamemnon and his wife Clytemnestra were not outside the citadel walls at Mycenae but inside them. He wanted to prove that the Iliad and Aeneid reflected historical events.
Married a Greek schoolgirl named Sophia Engastromenos, having divorced his Russian wife, Ekaterina.
1871. Joined the English archaeologist Frank Calvert (whom Britannica confuses with his brother Frederick) at Hisarlık. Schliemann took sole credit for identifying the site even though Charles Maclaren had suggested it as the location of Homeric Troy as early as 1822 and Calvert was the first to dig there.
He and Calvert worked on the eastern half of the site. The Turkish government owned the western half. Schliemann believed that the Homeric Troy must be at the lowest level.
1873. Uncovered fortifications and the remains of a city (“Troy”) and a treasure of gold jewellery (“Priam’s treasure”). We now know that the level he named the Troy of the Iliad was a thousand years older than Troy.
The treasure even looks anachronistic at this level. Did Schliemann plant it there? His excavations were condemned by later archaeologists as having destroyed the main layers of the real Troy. Even Calvert seems to have had doubts.
“Schliemann may not have discovered the truth, but the publicity stunt worked, making Schliemann and the site famous and igniting the field of Homeric studies in the late 19th century.” (Lauren Stokes, Trojan wars and tourism: a lecture by C. Brian Rose, The Daily Gazette, Swarthmore College, November 23 2005.)
1874. Published Trojanische Alterthümer. His discoveries were received sceptically by many scholars. Others, including Gladstone, and a wide public, accepted his identification.
When he proposed to resume work in February, the Turkish government revoked his permission to dig and sued him for a share of the treasure. Collaborating with Calvert, Schliemann smuggled it out of Turkey. He defended this as an attempt to protect the items from corrupt officials.
After much haggling the Turkish authorities agreed to drop their claim in return for a large cash sum. It was eventually presented to the German nation and housed in a museum in Berlin. It disappeared in 1945 and reappeared in 1993 in Moscow.
1874-76. Dug first at the site of the Treasury of Minyas at Orchomenus in Boeotia, and found little. Published Troja und seine Ruinen (1875) and began excavation at Mycenae in the Peloponnese. Here, in 1876, he discovered gold, silver, bronze and ivory objects. He believed he had found the tombs of Agamemnon and Clytemnestra. His greatest trophy, the Mask of Agamemnon, is now known, once again, to be several centuries older.
Some have said that Schliemann salted his digs with artefacts from elsewhere. He could even have had the mask manufactured on the general model of the other Mycenaean masks and found an opportunity to place it in the excavation.
“The Greek authorities have wisely refused to allow [the objects] to be tested; who would want to risk killing a golden goose that attracts the tourists in their thousands? [Has anyone “tested” the treasure in Moscow?] […] [His diaries] frequently disagree with the details given in his books, and show signs of having been tampered with at crucial points. There are too many instances of his improving stories in the telling, or even appropriating to himself events that happened to someone else, for us to be able to accept his word, at least where he could obtain an advantage by the deception. The morals of the market place were imported into the world of scientific scholarship.”
In 1876 he received permission to resume excavations at Hisarlık, but he did not reopen the site until 1878.
1878-79. Published Mykenae. After an unsuccessful excavation on the Ionian island of Ithaca (mentioned in the Odyssey) in 1878, resumed work at Hisarlık. In the following year was joined there by Emile Burnouf and Rudolf Virchow.
1882-83. Third excavation at Troy.
1884. Excavated fortified site of Tiryns, near Mycenae, with Wilhelm Dörpfeld.
1888-90 (his death). Fourth excavation at Troy, with Dörpfeld.
Schliemann thought that there must have existed a civilisation earlier than Mycenaean Hisarlık, and he guessed that it might be in Crete. He had hoped to work there. In the event, the discovery of Minoan Crete was left to Sir Arthur Evans ten years after Schliemann’s death.
(The Mycenaean Greeks controlled the Aegean after the fall, c 1400 BC, of the pre-Greek Minoan civilization – script: Linear A, undeciphered – and built fortified citadels and large palaces. They spoke a form of Greek; script: Linear B, deciphered. Their culture in its last phase is portrayed in the Homeric poems. Their power declined during widespread upheavals at the end of the Mediterranean Bronze Age, around 1100 BC.
When I first learned about Troy, I was bothered by the fact that the Trojans seemed as Greek as the Greeks. In fact, they probably spoke another Indo-European language, widely used in Anatolia, called Luwian, though there are no Trojan inscriptions. It is clear from the Iliad that they had a close relationship with the Greeks on their west. They had a similar relationship with the Hittites on the east.)
Schliemann died in Naples. His corpse was transported to the First Cemetery of Athens and interred in an elaborate mausoleum designed by Ernst Ziller. His palace in Athens, the Iliou Melathron (Ιλίου Μέλαθρον, Palace of Ilium), is now the Numismatic Museum.
Through his books and dispatches to The Times, the Daily Telegraph and other papers, he became the first populariser of archaeology (an equivalent, perhaps, of William Howard Russell as the first war correspondent). He inspired scholars as well as the public. When he died, John Myres said that it seemed that “the spring had gone out of the year”.
When he began excavating, no corpus of accepted practice existed for archaeological fieldwork. He was a pioneer, like Flinders Petrie and Augustus Pitt-Rivers. Stratigraphy had been observed and understood in Danish peat bogs, the Jutland barrows, and prehistoric Swiss lake dwellings, but Hisarlık was the first large dry-land man-made mound ever dug. It is not surprising that Schliemann was puzzled by what he found, but, eventually, with the help of Dörpfeld, he was able to untangle the stratigraphy and admitted his initial mistakes. He did well for someone starting to dig in the 1870s, yet is criticised by those who are excavating similar mounds more than a century later.
Did he, a victim of what Eliza Marian Butler called “the tyranny of Greece over Germany”, get carried away? Was he a con-man? He was certainly learned and spoke and read many languages. His record-keeping was suspect. He seems to have twisted a few things. For Toynbee, his net contributions to knowledge, the fields which he opened up, were so large, and his career was so romantic, that his defects could be overlooked. But GP Gooch had been able to give this account of him in History and Historians in the Nineteenth Century, Longmans, Green and Co, 1913:
“After Thirlwall and Grote [above], Duncker and Curtius, it might seem as if there was only room for monographs; but during the last quarter of the century the discoveries of Schliemann [footnote: See Schuchhardt, Schliemann’s Excavations, 1891.] revolutionised the treatment of early Greek history. At seven he read of the burning of Troy and longed to visit the site, declaring that the fortifications could not have wholly vanished. At ten he wrote a Latin essay on the Trojan war. His father’s poverty compelled him to begin earning his living at fourteen, and it was not till the age of thirty-four that he began to learn Greek. At forty-one he had become a rich man and retired from business. In 1870 he began the excavation of Hissarlik, and in 1874 published his ‘Trojan Antiquities.’ The learned world laughed at his naïve identifications of the objects and buildings described in the Iliad, and he confused the different strata superimposed upon one another. None the less his discoveries aroused world-wide interest, while his shortcomings were only known to scholars. Hindered in his work at Troy by the Turkish Government he transferred his attention to Mycenae, where he discovered the graves of the kings filled with gold and other ornaments. In a telegram to the King of the Hellenes he announced that he had found Agamemnon and his household; but more careful study revealed the fact that the treasure did not belong to a single period and that the number and sex of the persons did not agree with the legend. It was, however, of minor importance whether the body of Agamemnon or of other kings had been found; for he had revealed a vanished civilisation. He next discovered at Orchomenos the so-called Treasury of Minyas, and, after a further visit to Troy in company with Dörpfeld, laid bare the fortress-city of Tiryns, the neighbour of Mycenae.
“When Schliemann died in 1890 he had filled the world with his fame. In twenty years he had unearthed three cities, had revealed Mycenaean civilisation, and had given an incalculable impetus to archaeological research. Yet he was almost pathetically incompetent to interpret the marvellous treasures he had brought to light. He was filled with a romantic attachment to Greece. He married a Greek lady, and called his son Agamemnon and his daughter Andromache. But he possessed neither the training nor the qualities required for the task of scientific excavation. He treated Homer as the historian no less than the poet of the Trojan wars. He held the Mycenaeans to be Homer’s Achaeans, and it was left to others to point out that the civilisation of Mycenae was pre-Homeric, and to Dörpfeld to prove that the city of Hector and Achilles was the sixth, not the second. Schliemann was a pioneer, a conquistador, [footnote: Salomon Reichnach.] and much of his work has had to be done again by Dörpfeld. Like Cesnola, who spent years burrowing in the sites of Cyprus, his sumptuous volumes are of little value for the purposes of exact scholarship. If he revealed the romantic possibilities of excavation, his errors emphasised the need of professional training.”
A Study of History, Vol X, OUP, 1954
A Study of History, Vol IX, OUP, 1954
Heinrich Schliemann, the excavator of Troy, was the son of a Protestant clergyman in the Grand Duchy of Mecklenburg-Schwerin. He learned Latin as a boy, but not Greek, and could not afford to go to university. Greece had obsessed him since early childhood, but he gave himself to archaeology only after a highly successful business career.
In 1837, at the age of fifteen, he was working in Theodore Hückstädt’s grocer’s shop at Fürstenberg.
“As long as I live, I shall never forget the evening when a drunken miller came into the shop. … He was the son of a Protestant clergyman in Roebel, Mecklenburg, and had almost completed his studies at the gymnasium of Neu Ruppin when he was expelled on account of his bad conduct. … Dissatisfied with his lot, the young man gave himself up to drink, which, however, had not made him forget his Homer; for, on the evening that he entered the shop, he recited to us about a hundred lines of the poet, observing the rhythmic cadence of the verses. Although I did not understand a syllable, the melodious sound of the words made a deep impression upon me, and I wept bitter tears over my unhappy fate. Three times over did I get him to repeat to me those divine verses, rewarding his trouble with three glasses of whisky, which I bought with the few pence that made up my whole fortune. From that moment I never ceased to pray God that by His grace I might yet have the happiness of learning Greek.”
He would teach himself as an adult. From the autobiographical note in Schliemann’s Ilios, English edition, John Murray, 1880.
A Study of History, Vol X, OUP, 1954
I can’t exactly explain what I mean by Japanese culture being classical, but you feel it very strongly indeed when you go into the temples. They feel like Greek temples, retranslated into wood.
Perhaps it was a matter of ritual being pristine, not yet turned to metaphor or acting or symbol.
Greek temple architecture in stone had evolved out of wooden structures.
Noh, with its masks, choruses, music and strongly ritualistic elements is often compared with Greek drama.
When I lived in Tokyo in 1990-91, a lonely water-seller (he must have been the last in the city) used to walk through the Kamiyacho area where my office was. His strange cry seemed to come from a remote world and to have nothing at all to do with the modern life around him.
Japanese premodern culture is a survival, not a bogus revival.
Judging by the sound and atmosphere of his Sinfonía de Antígona (1933), which uses Greek modes, the Mexican composer Carlos Chávez felt a connection between classical Greece and the pre-Spanish civilisations of Mexico. YouTube.
Japanese and Greek music both used the pentatonic scale.
Letter to Gilbert Murray, probably from Nagoya, November 10 1929
An international political order was offered, ready-made, to the Greek city-states of the sixth and fifth centuries B.C. by the Lydian and Persian and Carthaginian Empires. The Persian Empire systematically imposed orderly political relations upon the Greek city-states which it subjugated; and Xerxes attempted to complete this work by proceeding to subjugate the still independent remnant of the Greek world. These still unconquered Greek city-states resisted Xerxes desperately – and successfully – because they rightly believed that a Persian conquest would take the life out of their civilization. They not only saved their own independence but they also liberated the previously subjugated city-states of the Archipelago and the Asiatic mainland. But, having rejected the Persian solution to a Greek political problem, the Greek victors were confronted with the task of finding some other solution. And it was here that they failed. Having defeated Xerxes in the years 480 and 479 B.C, they were defeated between 478 and 431 B.C. by themselves.
The Greeks’ attempt at an international political order was the so-called Delian League founded in 478 B.C. by Athens and her allies under Athenian leadership. And it is worth noticing, in passing, that the Delian League was modelled on a Persian pattern. One sees this if one compares the accounts of the system which the Athenian statesman Aristeides induced the liberated cities to accept in 478 B.C. with the account – in Herodotus Book vi, chapter 42 – of the system which had been imposed upon these self-same cities by the Persian authorities after the suppression of the so-called “Ionian Revolt” some fifteen years before. But the Delian League failed to achieve its purpose. And the old political anarchy in the relations between the sovereign independent Greek city-states broke out again under new economic conditions which made this anarchy not merely harmful but deadly.
The destruction of the Graeco-Roman civilization through the failure to replace an international anarchy by some kind of international law and order occupies the history of the four hundred years from 431 to 31 B.C. [outbreak of Peloponnesian War to Battle of Actium]. After these four centuries of failure and misery there came, in the generation of Augustus, a partial and temporary rally. The Roman Empire – which was really an international league of Greek and other, culturally related, city-states – may be regarded as a tardy solution of the problem which the Delian League had failed to solve. But the epitaph of the Roman Empire is “too late.” The Graeco-Roman society did not repent until it had inflicted mortal wounds on itself with its own hands. The Pax Romana was a peace of exhaustion, a peace which was not creative and therefore not permanent. It was a peace and an order that came four centuries after its due time. One has to study the history of those four melancholy intervening centuries in order to understand what the Roman Empire was and why it failed.
Toynbee could not help seeing Rome in this way. Did the Pax Romana not last longer than most?
The League had its headquarters on the island of Delos until 454 BC, when Pericles moved it to Athens. It was dissolved on the conclusion of the Peloponnesian War in 404.
Civilization on Trial, OUP, 1948
In the field of architecture the attractiveness of the new Byzantine style in the eyes of a Justinian and an Anthemius was probably due to the very fact that this Byzantine style presented the greatest contrast to the Hellenic style that was well conceivable. The Hellenic architecture was a structure of straight lines and flat surfaces meeting at right-angles; the Byzantine architecture was a structure of curves and cupolas. The Hellenic temple looked outwards towards an assembly in the open air; the Byzantine church looked inwards towards a congregation in the interior. The Haghia Sophia was the monumental protest of a generation which could no longer find inspiration in the Parthenon or in any of those things for which the Parthenon stood. In building an Haghia Sophia instead of a Parthenon, Anthemius was doing, in essence, what a Synesius or a Sidonius Apollinaris was doing when he became a bishop instead of remaining just a cultivated country gentleman, or an Augustine when he became a bishop instead of remaining just a professor of rhetoric, or an Ambrose or a Gregory the Great when he became a bishop instead of remaining just an Imperial official. In each of these cases a creative personality was breaking his way out of his hereditary social framework, in which his creative powers had been baulked, and was setting himself into a new framework in which these powers were offered an outlet.
Reluctant churchmen in late antiquity (old post).
A Study of History, Vol IV, OUP, 1939
Gautama Buddha and the founder of Jainism, Mahavira, both lived in a period of wars between local states in northern India in the 6th century BC. Gautama was born in what is now Nepal, Mahavira in Bihar.
What was the extent of Buddhism’s early influence in the Afghan or other domains of Achaemenid Persia?
In 326 BC Alexander the Great crossed the Indus (which the Persians had never done) and then the Jhelum or Hydaspes, the most western of the five rivers of the Punjab. At the Hydaspes Alexander defeated King Porus of Pauravas, an ancient country that soon afterwards fell to the Mauryans.
Another ruler, King Ambhi of Taxila, surrendered his city, already a Buddhist centre.
Alexander’s troops refused to advance further than the Beas, a tributary of the Sutlej, the easternmost of the five rivers.
A Buddhist great power, the Mauryan Empire, emerged in India as the Achaemenid Empire fell.
After Alexander’s death in 323, Chandragupta Maurya (ruled 322-298) conquered Alexander’s briefly-held east-of-Indus satrapies with the help of a largely Persian army. Bactria, between the Hindu Kush and the Oxus, and Transoxiana, remained Greek. Both had belonged to the Achaemenids.
Chandragupta’s capital: Pataliputra (Patna).
Seleucus I Nicator, a Macedonian satrap of Alexander, established his authority as far as Bactria and the Indus and in 305 BC he fought Chandragupta. Seleucus appears to have fared poorly, ceding large territories west of the Indus to Chandragupta: Arachosia (Kandahar), Gedrosia (Baluchistan), the Paropamisadae (Hindu Kush), but not Bactria or Transoxiana. Post here on the Paropamisadae.
Chandragupta then sold Seleucus 500 war-elephants (who used them to fight Antigonus I) and married Seleucus’s daughter to formalise an alliance. Seleucus sent an ambassador, Megasthenes, to Chandragupta’s court. Relations continued between their successors.
Chandragupta was Jain. His successor Bindusara belonged to the Ajivika sect.
Bindusara’s successor, Ashoka (reigned 269-32), embraced Buddhism and became a proselytiser of the traditional Theravada Pali canon.
V Greek Bactrians
Meanwhile, the Seleucids were losing control of Bactria. It became the centre of an independent Greco-Bactrian kingdom c 256 BC, which extended into Transoxiana.
Capitals: Bactra (Balkh), Alexandria-on-the-Oxus (possibly Ai-Khanoum).
After the Brahmanical Sunga dynasty overthrew the Mauryans in 185 BC, the Greco-Bactrians invaded and conquered northwestern India with an army led by Demetrius.
The resulting Indo-Greek Kingdom lasted until AD 10 and was opposed in the east for its first century by the Sunga. Buddhism prospered, and it has been suggested that the Greek invasion of India was intended to protect the Buddhist faith from the persecutions of the Sunga.
Capitals: Alexandria-in-the-Caucasus (Kapisa or Bagram, Hindu Kush, north of Kabul), Sirkap (Taxila, Punjab), Sagala (Sialkot, Punjab), Pushkalavati (Charsadda, NWFP).
King Menander (reigned c 160-130 BC) became a student and patron of Buddhism. Were any Greco-Bactrian or Indo-Greek kings before him personally sympathetic to Buddhism?
VII Greeks and Buddhism
The philosophers Pyrrho, Anaxarchus and Onesicritus are said to have accompanied Alexander. During the eighteen months they were in India, they were able to interact with Indian ascetics, described as Gymnosophists, naked philosophers.
At Sirkap, Buddhist stupas stand side-by-side with Hindu and Greek temples, suggesting religious tolerance and syncretism.
Early Mahayana theories of reality and knowledge may be related to Greek philosophical schools of thought.
The Mahavamsa records that during Menander’s reign, a Greek Buddhist abbot named Mahadharmaraksita led 30,000 monks from Alexandria (possibly in-the-Caucasus) to Sri Lanka for the dedication of a stupa.
There are Buddhist inscriptions by Greeks in India, such as that of the provincial governor Theodorus, describing in the Kharoshti script (and Pali language?) how he enshrined relics of the Buddha.
Coins of Menander and some of his successors show Buddhist symbols.
Buddhist tradition recognises Menander as one of the benefactors of the faith, together with Ashoka and Kanishka (below).
The first anthropomorphic representations of the Buddha are often considered a result of Greco-Buddhist interaction. The earliest Buddhist art was aniconic: the Buddha was only represented through his symbols (an empty throne, the Bodhi tree, his footprints, the Dharma wheel, the triratna).
It was natural for the Greeks also to create a single common divinity by combining the image of a Greek God-King (Apollo, or possibly the deified founder of the Indo-Greek Kingdom, Demetrius) with the attributes of the Buddha.
Stylistic elements in these representations point to Greek influence: the Greco-Roman toga-like wavy robe covering both shoulders (more exactly, its lighter version, the Greek himation), the contrapposto stance of the upright figures, the stylised curly hair and topknot (ushnisha) apparently derived from the Apollo of the Belvedere (c 335 BC), the measured quality of the faces.
During the following centuries, this anthropomorphic representation of the Buddha evolved to incorporate more Indian and Asian elements.
Several Buddhist deities may have been influenced by Greek gods. There are links between Greco-Persian and Buddhist cosmology.
The Buddha was known to the Church fathers. Buddhist gravestones from the Ptolemaic period have been found in Alexandria in Egypt, decorated with depictions of the Dharma wheel. The presence of Buddhists in Alexandria at this time is important, since it was to be an intellectual centre of Christianity.
VIII Successors of the Indo-Greeks
Greek rule in Bactria was extinguished c 125 BC by southward-migrating Sakas or Scythians and Yuezhi, both Indo-European speaking. The Yuezhi are later called Kushan.
At the beginning of the first century, the Yuezhi invaded the northern parts of Pakistan and India and founded the Kushan Empire, a contemporary of the Roman Empire.
The Kushan rulers (30-375) displaced the Indo-Greek kings, but their culture was Greek-influenced. They used the Greek script to write their Indo-European language. Their absorption of Greek historical and mythological culture is suggested by Kushan sculptures representing Dionysiac scenes and even the story of the Trojan horse and it is likely that Greek communities remained in India under Kushan rule. Capitals: Purushpura (Peshawar, main capital), Bagram, Taxila, Mathura.
The Greek-influenced Indo-European-speaking successors of the Indo-Greeks:
Indo-Scythian/Saka kingdoms, 110 BC-400 (final extinction)
Indo-Parthian Kingdom, 12 BC-before 100
Yuezhi/Kushan Empire, 30-375
Indo-Sasanians, 3rd century-410
Ephthalite or White Hun Empire, 5th-7th century; they belonged to the Central Asian Xionite hordes and were enemies of the Gupta and of the Sasanians
The Ephthalites controlled present-day Afghanistan, Pakistan and territories to the north and are probably the ancestors of modern Pashtuns. Their power was broken by the Sasanians (Khosrau I) in and after 557 and by the Turkic steppe-dwellers.
The full religious mix before Islam has to take account of Buddhism, Greek paganism, Hinduism, Jainism, Manichaeism, Shamanism, Zoroastrianism. Even Judaism and Nestorianism.
IX The Mahayana
The Kushan king Kanishka was famous for his religious syncretism and honoured Zoroastrian, Greek and Brahmanic deities as well as the Buddha. He convened the Fourth Buddhist Council c AD 100 in Kashmir. His reign sees the earliest representations of the Buddha on a coin (c AD 120), and in a Hellenistic style. Kanishka also had the earliest Gandhari vernacular, or Prakrit, Mahayana Buddhist texts translated into the literary language of Sanskrit.
The sacred texts of Theravada Buddhism are written in Pali, a Prakrit or vernacular which is closely related to Sanskrit and to the language the Buddha spoke. The sacred texts of the Mahayana were translated from Sanskrit into local languages.
Buddhism expanded into East Asia soon after this. The Kushan monk Lokaksema visited the Han Chinese court at Luoyang in AD 178, and worked there for ten years to make the first known translations of Mahayana texts into Chinese. This was also the great age of Gandharan art (area around Taxila, northern Pakistan): subjects Buddhist, motifs Hellenistic. (Gandhara was originally the name of an ancient Vedic kingdom.)
Buddhism probably reached China from the Kushan Empire in the first century CE: from north India via the Punjab, Gandhara, the Hindu Kush, Bactria, Transoxiana/Sogdiana, and the Fergana valley (Kokand, Anijan). Then across the Tien Shan and into the Tarim basin (Kashgar, Khotan, Turfan). In other words, by linking to the Silk Road. A minority view is that it came to China by sea, entering by the Yellow and Huai rivers.
It entered by land via a region which had been partly hellenised. The interaction of Greek culture with Buddhism may have helped to determine the forms which Buddhism took in China. The Mahayana was eventually adopted in China, Siberia, Korea, Japan, the Philippines and Vietnam.
The Mahayana goes beyond (or does it retreat from?) the ideal of the release from suffering, and the Nirvaṇa of the arhats, to elevate the Buddha to a God-like status and to create a pantheon of quasi-divine bodhisattvas devoting themselves to the salvation of their fellow human beings.
X Decline of Buddhism
The interaction of Greek and Buddhist cultures operated over several centuries until it ended in the 5th century with the invasions of the anti-Buddhist Ephthalite or White Huns and later the expansion of Islam. In the Ephthalite empire Buddhism and Hinduism were still widespread, over a layer of Zoroastrianism and Manichaeism.
In India proper, the decline of Buddhism is usually attributed to a steady Brahmanical reaction, which gathered pace late in the Gupta era. Invasions by Ephthalites and later by Muslims must have hastened it.
Has the Greek influence been exaggerated by western historians? Have they shown undue interest in it because it is easier for them to understand than complicated autochthonous Buddhist movements and schools?
XI Arrival of Islam
The Arabs completed their conquest of Persia in 651. In Persia and up to the Indus, the Caliphs’ power was gradually lost to local rulers, mainly Sunni, who distantly acknowledged the Caliphate until the fall of Baghdad.
In 661-71 the Arab armies conquered Bactria (by now called Tokharistan), which had passed from the Greeks to the Scythians, Yuezhi (Kushans), Sasanians, Ephthalite Huns and Sasanians again (or had the post-Ephthalite settlement there been Turkish rather than Persian?).
Transoxiana, where the post-Ephthalite settlement had been Turkish, followed in 706-15; here they suffered a setback, but in 739-41 they conquered Transoxiana definitively.
This put the Islamic state astride the overland route between India and China via the Oxus-Jaxartes basin.
The Arabs conquered, further
Baluchistan after Persia
Sindh and the Indus valley in 711 (Muhammad bin Qasim); capital: Mansura; Sindh later came under local dynasties (Habbari, then Soomro)
Southern Punjab from a base in Sindh, occupying Multan in 712.
They failed to occupy the Kandahar-Ghazni-Kabul route to the Khyber Pass. Two small Hindu states in southern Afghanistan, mentioned below, stubbornly defended the approach to the Hindu Kush.
Their foothold even in the Punjab was precarious. A number of Hindu powers resisted them there. The area was eventually controlled by the Turkic Mamluk Ghaznavids and Persian Ghorids.
They tried to invade India, but were defeated by a coalition of post-Gupta Rajput dynasties in 738.
At the Talas River in 751 the newly-installed Abbasids came head to head with the Tang Chinese. If the Chinese had won the battle, they might have captured the Oxus-Jaxartes basin and reclaimed it from Islam or Zoroastrianism for Buddhism. But they lost, and their influence this far west subsided. They did not return to the Tarim basin until the Qing or Manchu; not even the Yuan governed it.
Before the Islamic conquest, Afghanistan was a religious mixture of Zoroastrianism, paganism, Buddhism, Hinduism (near Kabul) and others. There is no reliable information on when Hinduism began in Afghanistan, but the territory south of the Hindu Kush was probably culturally connected with the Indus Valley civilisation in ancient times.
Herat province, near Persia, was Islamised early on, but the Arabs dealt with a number of post-Sasanian, post-Ephthalite rulers who resisted them. South of the Hindu Kush were the Hindu Zunbil and Buddhist (later Hindu) Kabul Shahi dynasties.
We don’t know how much of the Afghan population accepted Islam immediately, but the Shahi rulers remained non-Muslim until they lost Kabul in 870 to the Persianate (old post) Saffarid Muslims of Sistan, capital: Zaranj. Later, the Persian Samanids (old post) from Bukhara in Transoxiana extended their Islamic influence into Afghanistan. Muslims and non-Muslims still lived side by side in Kabul before the arrival of Ghaznavids from Ghazni in the late 10th century.
The Persian Samanids (819-999) presided over a revival of Persian civilisation in Samarkand and later Bukhara. They sponsored the first complete translation of the Quran into Persian.
The Persian Saffarids ruled in Persia and Afghanistan from 891 to 1003. Capital: Zaranj in Sistan, Persia/Afghanistan. They were eventually reduced to vassals of the Samanids.
By the 11th century, the entire population of Afghanistan was Muslim, except in Kafiristan, or Nuristan, in the east, whose inhabitants continued to practise an ancient form of Hinduism until Nuristan was conquered by the Emirate of Afghanistan in 1895.
The Turkic Ghaznavids controlled large parts of Persia, much of Transoxania, and the northern parts of India from 977 to 1186. Capitals: Ghazni in Afghanistan, Lahore in Pakistan. Their most famous ruler, Mahmud of Ghazni (reigned 998-1002), invaded and plundered India east of the Indus seventeen times. Capitals: Ghazni in Afghanistan, then Lahore.
The Tajik Ghorids (before 879-1215), originally central Afghanistan pagan, Sunni from 1011, were later the first Muslim power in Delhi and further east as far as Bengal: Muhammad of Ghor invaded the Indo-Gangetic plain in 1194, conquering in succession Ghazni, Multan, Sindh, Lahore, Delhi. Ghorid capitals: Firozkoh, Herat, Ghazni, those three now in Afghanistan, Lahore as winter capital.
In 1206 a former slave of Muhammad established the Sultanate of Delhi. His Mamluk (slave) dynasty was the first there. The Sultanate ended with the accession of the Timurid Babur, the first Mughal, in 1526. When the Mughals first arrived in India, they spoke a Turkic language. In adopting Persian, they inherited the language of the Perso-Turkic Delhi Sultanate.
Genghis Khan invaded Transoxiana and Bactria in 1219-20. Before his death in 1227, he assigned the lands of western central Asia to his second son Chagatai, and this region became known as the Chagatai Khanate. In 1369 Timur, of the Barlas tribe, became the effective ruler while continuing the ceremonial authority of Chagatai Khan’s dynasty, and made Samarkand the capital of his empire (1370-1507).
The first independent Islamic Kingdom in South India was the Bahmanid Sultanate (1347-1527). It broke up into five states known as the Deccan Sultanates.
The Arab conquests brought the demise of Buddhism in eastern Persia and greater Afghanistan, but in some places in Afghanistan, such as Bamiyan (Bamiyan province) and Hadda (site near Jalalabad), it survived until the 8th or 9th century. The Taliban dynamited two monumental Buddhas carved into the side of a cliff in the Bamiyan valley (6th and 7th centuries) in March 2001.
XII Old posts:
Picture credit: AfghaniDan; near Jalalabad
Picture credit: Luciana Di Floriano; Silk Road, probably Tien Shan mountains
At the east end of the Island of Crete on the 19th March, 1912, as he rounded the shoulder of the last mountain on his path from Khandrà to Palaíkastro, the […] twentieth-century Western student of History suddenly sighted the ruins of a baroque villa – built, by the look of it, for one of the last of the Venetian governors of Candia – which, had it been erected on English and not on Cretan soil, would probably then still have been inhabited by the descendants of its original occupant, but which in Crete in A.D. 1912 was already a relic of “Ancient History” on a par with the ruins of the Minoan imperial palace at Cnossos which the twentieth-century English wayfarer had been visiting a week since. As he stood staring at this Jacobean country house, where the Modern Western Civilization in which he himself lived and moved and had his being had suffered the pangs of death on Cretan soil a quarter of a millennium ago, the spectator had an experience which was the counterpart, on the psychic plane, of an aeroplane’s sudden deep drop when it falls into an air-pocket. On that spot on which Time had stood still since the eviction of the Venetians by the ʿOsmanlis in the War of Candia (gerebatur A.D. 1645-69), the spectator was suddenly carried down in a “Time-pocket” from a day in the year A.D. 1912 to a day in the fifth decade of the seventeenth century on which History, in that house, had come abruptly to an end in an evacuation without any sequel except solitude and decay.
Another Time-pocket: Ephesus.
A Study of History, Vol X, OUP, 1954
The truth that Venice is “dead and done with”, and the moral that others, besides “Venice and its people”, may be “merely born to bloom and drop” [all Browning, A Toccata of Galuppi’s], have […] been impressed upon the present writer’s imagination by [a] visual image which remains as sharply printed on his mind to-day as at the instant when he received it more than twenty-five years ago. Turning the corner of a mountain in a lonely district at the eastern end of Crete, he once suddenly stumbled upon the ruins of a baroque villa which must have been built for the pleasure of a Venetian grandee in the last days of Venetian rule in the island before the ʿOsmanlis came to reign there in the Venetians’ stead. It was a house which might have been built for a contemporary nobleman in England, and have been lived in – had it stood on English ground – by its builder’s descendants down to the tenth generation in the writer’s own day; but, having been built, as it happened, by Venetian hands in Crete, this piece of modern Western architecture was as utterly “dead and done with” – as veritably “a museum piece” [quoting himself] – in A.D. 1912 as the Minoan palaces at Cnossos and Phaestus which the traveller had been looking at a few days before. In the common mortality which had overtaken each of them in turn, at moments more than three thousand years apart, these desolate habitations of vanished thalassocrats bore witness, against their makers, that
in due time, one by one,
Some with lives that came to nothing,
some with deeds as well undone,
Death came tacitly and took them
where they never see the sun.
[Browning, ibid; lines broken to make them fit into the column here.] As the English traveller recalled the English poet’s lines, he reflected that the four and a half centuries for which Venice had been mistress of Crete were a longer span of time than the present age of his own country’s rule over the earliest acquired of her overseas dominions; and his ears seemed to catch an echo of Galuppi’s music among the Cretan crags.
In you come with your cold music,
till I creep in every nerve.
That baroque ruin in Crete, as it stood in A.D, 1912, was a memento mori for an England that was then still alive, as well as for a Venice that was then already dead.
A Study of History, Vol IV, OUP, 1939
On the 18th March 1912 I was walking through an out-of-the-way district in the east of Krete. The landscape was the bare limestone mountain-side characteristic of the Aegean. Villages were rare, and some of them had been sacked during the civil war of 1897 and not reoccupied. Suddenly, as the path turned the corner round a hillside in the limestone wilderness, a Western country-house came into view. It was built in the Jacobean style; the curves and flourishes of its façade were in excellent preservation; one’s own friends, or their great-grandparents, might have walked out of the front door. But, after a few steps towards it, the illusion of life faded. The door was half walled-up with loose stones to convert the ground-floor into a sheepfold, the windows stared blindly, the cornice had no roof above it. It was the villa of some Venetian landowner or official, and must have been deserted since the great War of Candia, two and a half centuries ago.
In that war Crete passed from Venetian to Ottoman rule. Before Venice, it had been under Constantinople, with an Arab interlude.
The Western Question in Greece and Turkey, A Study in the Contact of Civilizations, Constable, 1922
“The spider has wove his web in the imperial palace, and the owl hath sung her watch-song on the towers of Afrasiab.”
Ferdowsi, quoted by Gibbon.
[Footnote: “From Saint Sophia he [Mehmed the Conqueror] [bracket in Toynbee] proceeded to the august but desolate mansion of an hundred successors of the Great Constantine, but which, in a few hours, had been stripped of the pomp of royalty. A melancholy reflexion on the vicissitudes of human greatness forced itself on his mind, and he repeated an elegant distich of Persian poetry.” – Gibbon, E.: The History of the Decline and Fall of the Roman Empire, chap. lxviii.
In a footnote, Gibbon observes that “this distich, which Cantemir gives in the original, derives new beauties from the application. It was thus that Scipio repeated, in the sack of Carthage, the famous prophecy of Homer. The same generous feeling carried the mind of the conqueror to the Past or the Future.”]
The prophecy, uttered by Hector, is in Book II of the Iliad, lines 448-49. The History of the Growth and Decay of the Othman Empire by the polyglot Dimitrie Cantemir, Prince of Moldavia, one of Gibbon’s sources, was written in Latin. Was Gibbon reading the English translation? Who translated the distich by Ferdowsi?
A Study of History, Vol X, OUP, 1954
The present writer received his first intimation of the mortality of the Western Civilization in an experience […] at the south-eastern corner of the Island of Crete, en route from Khandrà to Palaíkastro, on the 19th March, 1912. Rounding the southern shoulder of a mountain, he was startled at suddenly finding himself face to face with the ruins of a country house in the Baroque style of architecture. If the date of this experience had been A.D. 1952 instead of being A.D. 1912, probably he would not have felt the same shock; for by A.D. 1952 a deserted and dilapidated seventeenth-century country house was no longer an unimaginable object in the landscape of the writer’s native province of the Western World; but in A.D. 1912 every house of the kind in England would have been intact and have been inhabited – as likely as not, by descendants of the country squire who had had the house built for him some two or three hundred years back in the past. What was startling and disturbing for a Western observer in A.D. 1912 was to see a piece of architecture which, in his mental picture of his native country, was associated with the living world of his own generation standing here in Crete as starkly dead and deserted as the monuments of an Hellenic architecture at Gortyna and Praesus, and the monuments of a Minoan architecture at Cnossos and Phaestus, that he had been inspecting within the last few days in the course of his journey. This inevitable comparison awakened his imagination to the truth that, on this island, a civilization which was his own, and which on his own island was then still self-confidently alive, was already as dead as the civilizations that had come and gone in earlier generations of this species of society.
Gazing at what, at that date, was so portentous a spectacle for Western eyes, the English traveller realized that this house must have been built, on the eve of the Great Veneto-Ottoman War of Candia (gerebatur A.D. 1645-69), by some Venetian country gentleman or official, and that this seventeenth-century Venetian builder must have taken it just as much for granted as his English contemporaries, who were then building other houses in the same style on another island, that his new family mansion would continue to be occupied by his descendants for many generations to come. The Englishman then reflected that a Venetian rule in Crete that had been extinguished by Ottoman arms in A.D. 1669 had by that date been in existence for no less than 457 years – a span of time which, in A.D. 1912, was longer than that of the duration, up to date, of British rule in the oldest of the overseas possessions of the British Crown. The inference was inescapable. If the Venetian Empire had perished, the British Empire could not be immortal; and, if the Western Civilization, in which Great Britain as well as Venice lived and moved and had her being, had become extinct in a former Cretan province of its domain, there could be no province, on any shore of either the Mediterranean or the Atlantic, in which a Westerner would be justified in assuming that his civilization was invested with the incredible privilege of being exempt from the jurisdiction of Death the Leveller.
Except in his journalism, Toynbee isn’t an especially repetitive writer, but he tells the story of this disturbing epiphany several times.
Crete had passed from Byzantium to the Arabs in 824. The Arabs destroyed the old city of Gortyn and made a new capital, Khandak, known to the Venetians (as was the whole island) as Candia, to the Byzantines as Chandax, and now called Heraklion.
Byzantium reconquered Crete in 960 and held it until it passed to Venice in 1204-12, after the Fourth Crusade. The Turks conquered it in 1669.
In 1897 an insurrection in Crete led the Ottoman Empire to declare war on Greece. Great Britain, France, Italy and Russia intervened on the grounds that the Ottoman Empire could no longer maintain control. It was the prelude to the island’s annexation to the Kingdom of Greece, which occurred de facto in 1908 and de jure in 1913 at the end of the Second Balkan War.
A Study of History, Vol IX, OUP, 1954 (footnote)
… or, Promiscuous properties of our puppet-show
The differentiation of Near Eastern from Ancient Hellenic culture came about by a deliberate breach with the past, and not by a tearful parting. The Academy of Athens, founded by Plato, was not broken up by the Turks. It was closed, in the ninth century of its existence and just forty years before the first Turks visited Constantinople, [footnote: The Academy was closed in A.D. 529; the first ambassadors from the Khan of the earliest Turkish Empire in Central Asia arrived at Constantinople in A.D. 569.] by Justinian, the Near Eastern sovereign who built Aya Sofía and who figures as a worthy in the legend of Modern Greek nationalism. Seven philosophers who refused to embrace the Christian religion took refuge in the dominions of Justinian’s Middle Eastern rival Khosru, [footnote: It must be admitted that the Hellenic philosophers did not find themselves at home at the Middle Eastern court.] and the Persian Government stipulated for the repatriation and toleration of these last representatives of Hellenic culture in a treaty of peace with the East Roman Power. [Footnote: In A.D. 533.]
This is over a century after Theodosius’s edict.
Mani is the middle promontory of the three at the tip of the Peloponnese. Messenia is to the west, Epidaurus to the east. They mirror the three promontories of Thrace.
The cult of the Olympian gods survived three centuries longer in the Mani, the most inaccessible promontory of the Morea, which was cut off from the East Roman Empire by the Slavonic migrations at the close of the sixth century. But in the latter part of the ninth century, when the Moreot Slavs had been reduced to subjection, this scandalous survival of Ancient Hellenic usages attracted the attention of the Constantinople Government. The Olympian cults of the Maniots were suppressed and the last taint of Hellenism was purged out of the Near Eastern world. [Footnote: See Konstandínos Porphyroyénnitos (= “Constantine Porphyrogenitus”): On the Administration of the [East Roman] [bracket in original] Empire, ch. 1. (ed. by Bekker, I., Bonn, 1840, Weber).] The repudiation of the Hellenic tradition had already been symbolised by a change in the use of names. “Hellene” had come to mean a heathen outsider [a Maniot pagan], in contrast to the Christian subject of the East Roman Empire. The latter was the orthodox pattern of the primitive Modern Greek, and Romyós, or “East Roman,” […] became the national name in the vernacular. The Modern Greek merchants and peasantry of the Ottoman Empire only learnt to call themselves Hellenes from the children of the French Revolution in the West, who delighted to speak of Switzerland as the Helvetian Republic and to have their portraits painted in the costume of Roman Senators. This classical affectation was a Western fashion which the Modern Greeks borrowed with other promiscuous properties of our puppet-show, just as the classical scholarship of Koraís was a part of his enlightened advocacy of Western culture among his fellow-countrymen.
The bibliography of the book from which this is taken gives these references in a section called The names “Éllinas” and “Romyós” […]; all brackets hereafter are in the original:
BURY, J. B. : “History of the Later Roman Empire.” (2 vols., London, 1889, Macmillan.) [See vol. ii., bk. iv., pt. 2, ch. vii. : “The Language of the Romaioi in the Sixth Century.”]
POLÍTIS, N. G. : “Éllines i Romyí? <Hellenes or Rum?>.” (Athens, 1901, Sakellarios.) [This pamphlet originally appeared as a letter to the Press, in answer to one from the poet Kostìs Palamás, in which the latter had maintained that “Romyós,” and not “Éllinas” <or, in purist form, “Éllin”>, was the true national name of the Modern Greeks. Mr. Polítis sets out to prove not only that the name “Éllinas” was occasionally employed during the Middle Ages as a literary affectation by the learned, but that it had never dropped out of the popular consciousness – in fact, that its use during the War of Independence and thereafter was a survival rather than a revival. Without wishing to show disrespect to the memory of this distinguished scholar, I venture to state my opinion that in this controversy he has not proved his case.]
The Western Question in Greece and Turkey, A Study in the Contact of Civilizations, Constable, 1922
We may [ask ourselves] why our own traditional Western styles of music and dancing and painting and sculpture are being abandoned by our own rising generation. In our own case, is the explanation a loss of artistic technique? Have we forgotten the rules of rhythm and counterpoint and perspective and light and proportion which were discovered, or invented, by that Italian and Flemish creative minority which carried our Western Society out of the second chapter in its history into the third chapter some four or five centuries ago? In this case, in which we happen to be first-hand witnesses, the answer to our question is palpably in the negative. In these days of mass-education our Western World is more amply supplied than ever before with virtuosi who are masters of these techniques and who could put them into operation again any day if they felt the impulse in themselves and received the demand from their public. The prevailing tendency to abandon our Western artistic traditions is no involuntary capitulation to a paralytic stroke of technical incompetence; it is the deliberate abandonment of a style of art which is losing its appeal to the rising generation because this generation is ceasing to cultivate its aesthetic sensibilities on the traditional Western lines. We have wilfully cast out of our souls the great masters who have been the familiar spirits of our forefathers; and, while we have been wrapt in self-complacent admiration of the spiritual vacuum which we have discovered how to make, a Tropical African spirit of music and dancing and statuary has made an unholy alliance with a pseudo-Byzantine spirit of painting and bas-relief, and has entered in to dwell in a house that it has found empty and swept and garnished. [Footnote: Matt. xii. 43-5, Luke xi. 24-6.] The decline which betrays itself in this revolutionary change in aesthetic taste is not technical but is spiritual. In repudiating our own native Western tradition of art and thereby reducing our aesthetic faculties to a state of inanition and sterility in which they seize upon the exotic and primitive art of Dahomey and Benin as though this were manna in the wilderness, we are confessing before all men that we have forfeited our spiritual birthright. Our abandonment of our traditional artistic technique is manifestly the consequence of some kind of spiritual breakdown in our Western Civilization; and the cause of this breakdown evidently cannot be found in a phenomenon which is one of the subsequent symptoms.
From the fourth volume of the Study. From “We have wilfully cast out” onwards, he sounds like the headmistress Miss Strudwick, whom he would quote twenty years later: see August 26 post. He started work on Vol IV in the summer of 1933. She made her speech that June. I am sure he filed a cutting. We know from the same volume what he thought about the state of universal education, and from Vol IX his views (expressed just after the Strudwick quotation) on neo-barbarian city-dwellers and their entertainments.
See an old post on dated pessimism.
Benin bronzes became known in the West somewhat earlier than the historically-earlier stone, bronze and terracotta heads of Ife. But they have nothing to do with the country of Dahomey, now called Benin. This looks like a howler. The Empire of Benin was in what is now Edo state. Ife was in Yoruba country, further west.
Toynbee, like many of his English class and generation, had, when he wrote this, no grasp of what modern art was or of what made it happen. His taste in modern literature, such as it was, was also unreliable.
For all his awareness of the impact of the West on Japan, he does not mention in a single place, even a caption in the Caplan abridgement, and may not even have known about, the effect on art in the West in the nineteenth century of the West’s discovery of Japanese aesthetics.
In the passage I have quoted, he sees a “breakdown” of the culture that had come before, rather than a prescient response to what was approaching or a dynamic response to what was new. European culture had never been something static and therefore liable to break down. It was breaking down all the time. Why, nevertheless, did things change so dramatically when even comparatively conservative artists seemed unexhausted? I asked that question, in relation to music, here and here.
Was he so ignorant of modern art in his old age? Perhaps not. An artist such as Epstein (August 27), whom I took as a bogeyman for his class and generation, should have had great appeal for him. Epstein wasn’t even avant-garde at the end. He was quasi-religious and humane, like Toynbee.
Toynbee’s travel in his retirement (1955-75) included Latin America several times between 1956 and 1966, India in 1956-57 and 1960, the US repeatedly during the civil rights struggle, Japan in 1956 and 1967, Nigeria in 1964. His perspectives on art must have changed. From April 1970 to August 1972, he worked on an illustrated abridgement of A Study of History with Jane Caplan, which contained images by Raoul Hausmann, Rivera, Franz Wilhelm Seiwert, CRW Nevinson, Magnus Zeller, Bruno Caruso, Picasso, Dix. He was ready at the end of his life to take African and southeast Asian history seriously, about which he had known nothing earlier. He quotes TS Eliot on the title page of his Gifford lectures (published 1956).
We have evidence of a pre-retirement change of outlook in the ninth volume of the Study (1954). There is a section about renaissances of the visual arts of a dead civilisation in the history of an affiliated civilisation of the next generation. The Sumeric style of carving in bas-relief was revived under the Neo-Assyrian Empire (911-612 BC). The style of sculpture and painting of the Old Kingdom was revived in the Saite age (Twenty-Sixth Dynasty, the last before the Persian conquest). The Hellenic style of carving in bas-relief (see Attic masterpieces of the fifth and fourth centuries BC) was nostalgically revived on Byzantine diptychs carved not in stone but in ivory in the tenth, eleventh and twelfth centuries CE. The Babylonic civilisation was indeed, in Toynbee’s scheme, affiliated to the Sumeric, and the Orthodox Christian civilisation to the Hellenic. But why is he suggesting that Saite Egypt was part of a civilisation affiliated to the Egyptiac?
The example on which he dwells, however, is a further one, namely
the renaissance of Hellenic visual arts in Western Christendom which made its first epiphany in a Late Medieval Italy and spread thence to the rest of the Western World during a Modern Age of Western history. This evocation of ghosts of Hellenic visual arts was practised in the three fields of Architecture, Sculpture, and Painting; and, in every one of these three fields, the revenant style of art made so clean a sweep of the style that it found in possession of the corresponding sector of a Western artistic arena that, by the time when the aggressive ghost had spent his formidable force, Western Man had become so thoroughly used to living his aesthetic life under this alien ascendancy that he did not know what to do with a liberty that was not recovered for him by his own exertions, but was reimposed upon him by the senile decay of a pertinaciously tyrannical intruder. When the evaporation of an Hellenic spectre presented Western souls with an aesthetic vacuum, they found themselves at first unable, for the life of them, to say what was the proper visual expression for the West’s long-suppressed native artistic genius.
Hellenism had been an “intruder”. Now he seems to want modernism to hurry up, as if it might be the expression of “the West’s long-suppressed native artistic genius”. “Vacuum” now means something different.
The most extraordinary episode [had been] the triumph of an Hellenic revenant over the native genius of the West in the province of Sculpture in the Round; for, in this field of artistic endeavour, the thirteenth-century Northern French exponents of an original Western style had produced masterpieces that could look in the face those of the Hellenic, Egyptiac, and Mahayanian Buddhist schools at their zeniths, whereas in the field of Painting, by the time when a revenant Hellenic style invaded it, Western artists had not yet shaken off the tutelage of the more precocious art of a sister Orthodox Christian Society, while in the field of Architecture the Romanesque style – which, as its latter-day label indicates, was a nascent Western World’s variation on an architectural theme inherited from the latest age of an antecedent Hellenic Civilization – had already been overwhelmed by an intrusive “Gothic” style which, contrary to the implication of its misnomer, had originated, not among the barbarians in a no-man’s-land beyond the European limes of the Roman Empire, but in a Syriac World which, in articulo mortis, had made a cultural conquest of the savage Western Christian military conquerors who had seized upon fragments of a dissolving ʿAbbasid and a dissolving Andalusian Umayyad Caliphate.
So Gothic had been another alien intrusion. This nativism seems out of place in a man who had never been taken in by racial theory. Whatever the eastern influences in Gothic, to suggest that its small debt to something external made Hellenism’s subsequent triumph over it less surprising than its triumph over an “original” Medieval sculpture is extreme sophistry.
The sterility with which the Western genius had been afflicted by a renaissance of Hellenism in the domain of Architecture was proclaimed in the West’s surprising failure to reap any architectural harvest from the birth-pangs of the Industrial Revolution. In Great Britain at the turn of the eighteenth and nineteenth centuries, and in the Western World as a whole before the nineteenth century reached its close, a mutation in industrial technique that had begotten the iron girder had suddenly thrust into the Western architect’s hands an incomparably versatile new building-material; and this gift of the grimy gods might have been expected to inspire the favoured Western human recipient to break even the toughest cake of inherited architectural custom in an eager exploration of the potentialities of a hitherto untried instrument. As it happened, no great effort was required of a Western architect of that generation to break a Hellenizing architectural tradition that was then already crumbling between his fingers; yet the architect who had been presented by a blacksmith with the iron girder, and by Providence with a clean slate, could think of no better ways of filling an opportune vacuum than to cap an Hellenic Renaissance with “a Gothic Revival” and to recoil from the “Gothic” ironmongery of Ruskin’s Science Museum at Oxford [1855-61] and the Woolworth Building in New York [1910-13] into a “Colonial” brickwork [equivalent of our Georgian] reproducing the Hellenizing Western style of architecture as this had been practised during an eighteenth-century North American “Indian Summer”.
Ruskin had deemed the use of iron improper in neo-Gothic buildings, but it became increasingly common. In France, Viollet-le-Duc made a virtue of it.
The first Westerner to think of frankly turning the iron girder to account as a building material without bashfully drawing a “Gothic” veil over his Volcanic vulgarity was not a professional architect but an imaginative amateur; and, though he was a citizen of the United States, the site on which he erected his historic structure overlooked the shores of the Bosphorus, not the banks of the Hudson. The nucleus of Robert College – Hamlin Hall, dominating Mehmed the Conqueror’s Castle of Europe – was built by Cyrus Hamlin in A.D. 1869-71; [footnote: “The building is 113 feet by 103. … The stone is the same as that of the fortress built in A.D. 1452-3. … It is fire-proof, the floors being of iron beams with brick arches” (Hamlin, Cyrus: Among the Turks (London 1878, Sampson Low), p. 297). […]] yet it was only within the life-time of the writer of this Study, who was born in A.D. 1889 and was writing these lines in A.D. 1950, that the seed sown by Hamlin in Constantinople bore fruit in a Western World that was Brunel’s as well as Hamlin’s homeland.
Toynbee had known Robert College since 1921 and had written about it before that, but was it really the first non-Gothic architectural marriage of stone and iron?
Iron had been married to glass in the revolutionary Crystal Palace and had been used in bridges earlier still. By about 1890, steel frames would enable skyscrapers.
It is true that modernism had a delayed entrance. The steel-framed Woolworth Building, and much of early twentieth-century New York, was a halfway house. But while it was going up, so were the earliest examples of modernism in the US.
Toynbee’s generation had been taught to despise neo-Gothic. The generation which valued it – which included, among English taste-makers, Evelyn Waugh, Kenneth Clark and John Betjeman – was a little younger.
This sterilization of the West’s artistic genius, which was the nemesis of a Hellenizing renaissance in the realm of Architecture, was no less conspicuous in the realms of Painting and Sculpture. Over a span of more than half a millennium running from the generation of Dante’s contemporary Giotto (decessit A.D. 1337), a Modern Western school of Painting, which had unquestioningly accepted the naturalistic ideals of an Hellenic visual art in its post-archaic phase, had worked out, one after another, divers methods of conveying the visual impressions made by light and shade until this long-sustained effort to produce the effects of photography through prodigies of artistic technique had been stultified, on the eve of its consummation, by the invention of photography itself. After the ground had thus inconsiderately been cut away from under their feet by the shears of Modern Western Science, Modern Western painters made a “Pre-Raphaelite” Movement, in the direction of their long since repudiated Byzantine provenance, before they thought of exploring a new world of Psychology which Science had given them to conquer in compensation for the old world of Physical Nature which she had stolen from the painter in order to hand it over to the photographer. After the invention of photography the best part of a century had to pass before the rise of an apocalyptic school of Western painters who made a genuinely new departure by frankly using paint – veritably more Byzantino – to convey the spiritual experiences of Psyche instead of the visual impressions of Argus; but the increasing sureness of foot with which the Western painters were advancing along this new road by the close of the first half of the twentieth century seemed to augur that the Western sculptors, in their turn, would eventually set their faces in the same direction after discovering, by trial and error, that the broken road to Athens, which they had been following ever since a Niccolò Pisano had swerved into it in the thirteenth century, could not, after all, be regained by a detour through either Byzantium or Benin.
So they would abandon the road altogether? Was it a road to Athens?
More Byzantino. Byzantine art is about the expression, or rather holding or representation, of spiritual reality, not (pace the Medieval ivories) about the representation of surfaces. The bronzes of Benin influenced modern artists. I don’t know whether there were Benin bronzes at the Palais du Trocadéro in May or June 1907, when Picasso experienced his African revelation there.
Thus, at the time of writing, it looked as if, in all three visual arts, the sterilization of a native Western genius by an exotic Hellenizing renaissance might eventually be overcome; but the slowness and the difficulty of the cure showed how serious the damage had been.
Sterilization of a native Western genius! Cure! Damage! This is the kind of thing that made Trevor-Roper write off Toynbee.
A footnote after the reference to Argus shows that his thinking on modern art has advanced:
In IV. iv. 52, this positive aim [Byzantinist rather than Beninist?] of a revolutionary twentieth-century school of Western painting has not been given due recognition.
He has come, in other words, as far as Expressionism, which is a fair way.
In Mankind and Mother Earth, we have:
Artists have psychic antennae that are sensitive, in advance, to portentous coming events.
They did before 1914. But this isn’t a historical law either. Did Athenian artists have the jitters before the Peloponnesian War, which is Toynbee’s Hellenic First World War?
Perhaps northern European artists on the eve of the Reformation had presentiments of an end of an order.
And in the illustrated abridgement of A Study of History, we have an illustration of Picasso’s Woman with a Fan of 1907, with a caption probably written by Caplan:
The camera’s conquest of the visual world left twentieth-century artists free to explore the hidden worlds of the mind and its modes of perception; art finally exorcized its Hellenic ghost: Picasso, Woman with a Fan, 1908 [pablopicasso.org says 1907].
Archaism in art (old post).
A Study of History, Vol IV, OUP, 1939
A Study of History, Vol IX, OUP, 1954
Mankind and Mother Earth, A Narrative History of the World, OUP, 1976, posthumous
With Jane Caplan, A Study of History, new one-volume abridgement, with new material and revisions and, for the first time, illustrations, and with a Foreword by Toynbee, Thames & Hudson, 1972
Thanks to the intuition of the discordant oligarchs of an oasis-state in the Hijāz, who had invited the rejected prophet of a rival community to make himself at home with them and try his hand at being their ruler, in the hope that he would bring them the concord which they had failed to attain by themselves, Yathrib became, within thirty years of the Hijrah, the capital of an empire embracing not only the former Roman dominions in Syria and Egypt but the entire domain of the former Sasanian Empire. [Footnote: Ibn Khaldūn suggests that the Primitive Muslim Arabs’ success in conquering the whole of the Sasanian Empire was a consequence of their conquest of the Sasanian imperial capital Ctesiphon, and that their contemporary failure to conquer more than a portion of the Roman Empire was a consequence of their inability to conquer the Roman imperial capital Constantinople (see the Muqaddamāt, translated by de Slane, Baron McG, (Paris 1863-8, Imprimerie Impériale, 3 vols.), vol. i, p. 333).] Yathrib’s title to remain the seat of government for this vast realm was indisputable on its juridical merits. This remote oasis-state was the territorial nucleus out of which the Muslim Arab world-empire had burgeoned in its miraculously rapid growth, and it was now also hallowed as Madīnat-an-Nabī, the City of the Prophet which had recognized his mission and had furnished him with home, throne, and sepulchre. This title was so impressive that de jure Medina remained the capital of the Caliphate at any rate until the foundation of Baghdad by the ʿAbbasid Caliph Mansūr in A.D. 762. Yet de facto the swiftly expanding dominions of the Prophet Muhammad and his successors were governed from Medina for no longer than thirty-four years; for the fact was that this oasis hidden away in the interior of the Arabian Plateau – a vaster, wilder, barer, emptier counterpart of the Plateau of Iran – had condemned itself to political nullity by the immensity of its political success.
A Study of History, Vol VII, OUP, 1954
A greater luminary in Toynbee’s “Pleiad” of captured or exiled historians (last post).
Thucydides (vivebat circa 454-399 B.C.) was a citizen of Athens who lived through the Twenty-Seven Years’ War of 431-404 B.C., and who was overtaken by the outbreak of the war in his early manhood. He thus belonged to a generation which was just old enough to have known the pre-war Hellenic World as an adult member of the pre-war society; and at the same time he lived long enough to see the denouement of the great catastrophe that brought the growth of the Hellenic Civilization to an end and set in motion the long and tragic movement of decline and fall. The definite breakdown of the Hellenic Civilization was, in fact, the challenge which the generation of Thucydides had to encounter and the experience through which they had to live; and Thucydides was fully alive to the significance of the catastrophe. “This war”, he says in the preface to the first part of his work, [footnote: Thucydides’ History of the Twenty-Seven Years’ War is in two parts, each introduced by a preface. […] Part II is unfinished. (The work was apparently interrupted by the author’s death.) The narrative breaks on abruptly in the middle of the record of the twenty-first year of the war (411 B.C.) out of the total of twenty-seven years (431-404 B.C.) which the author intended to cover.] “was … the greatest upheaval ever experienced by Hellas and by a part of the non-Hellenic World (it would hardly be an exaggeration to say: by the Human Race)”; and he informs his readers in the same passage that, “in the belief that this war would eclipse all its predecessors in importance, he began to write as soon as war broke out”. In the Athens, however, of Thucydides’ day an able-bodied adult male citizen was constrained in peace-time, and a fortiori in war-time, to devote the best part of his time and energy to public service if the State made the demand; and we may suppose that, as soon as war broke out, this “practical” demand upon Thucydides became exacting. At any rate, in the eighth year of the war, we find Thucydides serving as one of the ten Athenian Generals: a board of public officers, elected annually for a twelve months’ term, who exercised the chief executive authority in the civil government in addition to their command over military operations.
It was in this position of “practical” responsibility, which Thucydides held in 424-423 B.C., that he suffered the break in his career which was the turning-point in his life-history. In the winter of 424-423 B.C., when Thucydides was in command of an Athenian naval squadron stationed at Thasos [north Aegean], he failed to prevent a Lacedaemonian expeditionary force commanded by Brasidas from capturing Amphipolis [Thracian mainland]. The lost fortress was a key-position, since it commanded the passage across the River Strymon on the land-route leading from Continental Greece towards the Dardanelles: the only route along which it was possible for the Peloponnesians to strike, with their superior land-power, at a vital point in the Athenian Empire, so long as Athens retained her command of the sea. The Athenian People sought relief for their feelings of chagrin and alarm at the news of this reverse by cashiering Thucydides and sentencing him to exile. And it was thanks to this personal mishap to Thucydides the soldier that Thucydides the historian at last obtained the opportunity to accomplish his life-work.
He never returned to Athens. Where did he live?
“I lived”, he writes in the preface to the second part of his work, “through the whole of [the Twenty-Seven Years’ War] [bracket in original], and I was not only of an age of discretion, but I took special pains to acquire accurate information. It was my fate to be exiled from my country for twenty years after my command at Amphipolis; and in this situation I was enabled to see something of both sides – the Peloponnesian as well as the Athenian – and to make a special study of the War at my leisure.”
Thanks to this fortunate misfortune, Thucydides was able to complete rather more than two-thirds of his projected work, though he seems to have died a premature death before he was out of his fifties. What is more, he has triumphantly achieved his ambition, declared in the preface to the first part of the work, to produce “an everlasting possession” – a permanent contribution to knowledge – “rather than an ephemeral tour de force”. In his own austere intellectual way, this cashiered Athenian officer has anticipated the injunction
“Lay not up for yourselves treasures upon Earth, where moth and rust doth corrupt, and where thieves break through and steal;
“But lay up for yourselves treasures in Heaven, where neither moth nor rust doth corrupt, and where thieves do not break through nor steal;
“For where your treasure is, there will your heart be also.” [Footnote: Matt. vi. 19-21.]
The passing agony of one unhappy generation of Hellenes who dealt their own Hellas a mortal blow and knew that her blood was on them and on their children has been transmuted by Thucydides, in a great work of art, into an ageless and deathless human experience.
A Study of History, Vol III, OUP, 1934
“Indeed,” said the proconsul, closing the book,
“this line is beautiful and very true.
Sophocles wrote it in a deeply philosophic mood.
How much we’ll tell down there, how much,
and how very different we’ll appear.
What we protect here like sleepless guards,
wounds and secrets locked inside us,
protect with such great anxiety day after day,
we’ll disclose freely and clearly down there.”
“You might add,” said the sophist, half smiling,
“if they talk about things like that down there,
if they bother about them any more.”
“The Rest I Will Tell to Those Down in Hades”, from Edmund Keeley and Philip Sherrard, translators; George Savidis, editor, CP Cavafy, Collected Poems, revised edition, Princeton University Press, 1992, at cavafy.com.
The scene is imaginary. The title is a quotation from Sophocles’s Ajax, the protagonist’s last words before his suicide.
In the course of seventy years – 342-272 B.C. – Rome had imposed political unity, under her own ascendancy, on the whole of Peninsular Italy south of, but not including, the basin of the River Po.
342 was the year, at the beginning of the First Samnite War, in which the Romans defeated the Samnites at Mount Gaurus, and also the year in which Aristotle became tutor to the young Alexander at the court of Philip II at Pella.
These Roman conquests in Cisappennine Italy, rapid though they were, were neither so rapid nor so spectacular as the contemporary conquests of Alexander the Great in South-Western Asia.
Why Cisappennine if they were of the entire peninsula south of the Po? The word must mean south of where the Appennines start, but it seems odd to use it, since the Appennines run north-south, not west-east.
They were, however, not less momentous; for, as a result of them, the Roman Commonwealth made its entry on to the stage of Greek history as one of five Great Powers in an expanding Greek world. Two of the other four – the Carthaginian Empire and the Kingdom of Macedon – had already been on the map before the face of this map had been changed by the Macedonians’ and the Romans’ military achievements. The other two – the Achaemenian Empire’s Seleucid successor-state in South-West Asia and an insurgent native Egyptian Kingdom’s Ptolemaic successor-state in the Lower Nile Valley – were also old empires under new management. The Roman Commonwealth was the only one of the five that was new in reality. Rome had turned herself from a middle-sized city-state into a Great Power by imposing military and political unity upon Italy – an enterprise which had proved to be beyond the strength of the Etruscans in the sixth and fifth centuries B.C. and of the Siceliot Greeks in the fifth and fourth.
An expanding Greek world had begun to impinge upon Italy 400 years before the Roman conquest of Italy, and the Roman Commonwealth was entangled in the Greek world because it included two important Italian pieces of it: Magna Graecia (what was left of it, after the infiltration of the Oscan barbarians in the fourth century B.C.) and a semi-Hellenized Etruria, particularly the Etruscan black country (Elba and Populonia).
Black country must refer to Greek-influenced black-figure Etruscan vase painting (seventh century BC-circa 480 BC).
This political entanglement raised questions that were social and cultural; for by the time, in the third decade of the third century B.C., when Rome’s conquest of Italy had thus brought Rome back into the Greek World again, Rome herself and the central Italian heart of her newly-built commonwealth had been out of touch, for some 150 years, with the main movement of Greek history. In the sixth century B.C. Rome had been a partly commercial and industrial city-state ruled by a despot, like the neighbouring Etruscan city-states and the leading Greek city-states of the day: Corinth, Sicyon, Miletus, Athens. But when, towards the end of the sixth century, Rome – again behaving like her more eminent contemporaries – had turned her despot out, she had had to pay for her self-liberation by falling into a state of isolation and weakness that had lasted for about a century; and, when she had exerted her reviving strength in the military and political enterprise of conquering Italy, she had built up her power by turning inland into a culturally and socially backward interior, into which the city-state dispensation had not yet penetrated and in which the native population was therefore more malleable than it was in older and more advanced communities with more deeply engraved memories of a more glorious past. In moulding this native central Italian human raw material, Rome had the institutional advantage of being, herself, a city-state of old standing; but, by the third century B.C., Rome’s way of life had come to be old-fashioned. It was a way that had been put out of date, east of the Adriatic, by the sweeping social and political revolution there in the generation of Alexander the Great; and in 264 B.C. there were at least four signal differences between Rome and some or all of the other Great Powers in the new world into which Rome had now been drawn as a result of her Italian conquests.
One of these differences was constitutional. Since the days of Alexander and his father Philip, the typical constitution of a Great Power in the Greek world had come to be monarchy. Carthage was the only third-century Great Power besides Rome in which the sovereign authority was a city-state. A second difference was a military one. In accordance with the pre-Alexandrine Greek city-state tradition, Rome’s fighting-force was a compulsory levy of free citizens possessing property of at least a minimum value; and the contingents furnished, under treaty, by Rome’s Italian confederate communities were levied from the same class. But there was only one other Great Power, besides Rome, that now still had a citizen army, and this was Macedon. The other three contemporary Great Powers – Carthage, Ptolemaic Egypt, and Seleucid Asia – all employed professional armies largely composed of foreign mercenaries. A third difference, closely connected with the military one, was economic. Rome’s citizen fighting-force consisted of farmers who made their living by subsistence farming, whereas all the other contemporary Great Powers, except Macedon, had gone over to cash-crop farming with a labour-force, not of citizen-soldiers, but of serfs or slaves who were exempt from military service. In the fourth place, there was an administrative difference which distinguished the Roman Commonwealth sharply from contemporary Ptolemaic Egypt, though not so sharply, perhaps, from any of the other three Great Powers. The Roman Commonwealth in the third century B.C. did not possess anything like the contemporary Ptolemaic professional civil service.
272 was the year of the surrender of Tarentum, the last stronghold of Pyrrhus of Epirus, which brought the cities of Magna Graecia under Roman control and left Rome free to complete its subjection of the Samnites. It was also the year, during the First Syrian War, in which Ptolemy II turned Egypt into the leading naval power in the eastern Mediterranean by defeating Antiochus I Soter.
Economic and Social Consequences of the Hannibalic War, lecture, John Rylands Library, Manchester, March 10 1954; Bulletin of the John Rylands Library, Vol 37, No 1, September 1954
[The] practice of diffusing Hellenism in the Roman Empire by means of the foundation of city-states was reproduced in the Spanish Empire of the Indies; and the Medieval Spanish institution which was thus propagated in the Americas in an Early Modern Age of Western history was in truth a renaissance of the Hellenic institution that had originally been propagated in Spain by Roman conquistadores from Italy. [Footnote: See Haring, C. H.: The Spanish Empire in America (New York 1947, Oxford University Press), p. 159.] Like the Hellenic cities planted in the post-Alexandrine Age by Macedonian empire-builders in South-West Asia and Egypt and by Roman empire-builders round all the shores of the Mediterranean, these Spanish cities in the Americas had individual founders; [footnote: See ibid., p. 160.] they were laid out on the rectangular plan that, in the history of Hellenic town-planning, had been inaugurated in the fifth century B.C. [footnote: See ibid., p. 161.] by Hippodamus’s layout of the Peiraeus; and each civitas had a rural territorium attributed to it, to use the Roman technical term. [Footnote reference to an earlier part of the Study.] In the more settled regions of the Spanish Empire these municipal territoria were conterminous [bordered on each other]; and, in the undeveloped regions on the fringes, some of them were of vast extent. [Footnote: See Haring, op. cit., pp. 161-2.] By A.D. 1574 about a hundred Spanish city-states had already been founded within the area of the Incaic Empire’s former domain. [Footnote: See ibid., p. 160, n. 4.]
So is all this about the Viceroyalty of Peru rather than of New Spain?
“The Spanish American provinces, therefore, were in many instances a collection of municipalities, the latter … being the bricks of which the whole political structure was compacted.” [Footnote: Ibid., p. 162.]
If these Spanish colonial city-states thus resembled the post-Alexandrine Hellenic colonial city-states in serving as the cells of an intrusive alien régime’s administrative and judicial organization, they likewise resembled them in enjoying little more than a simulacrum of local self-government; for they had no sooner been founded than the Crown took into its own hands the appointment of the municipal officers. [Footnote: See ibid., pp. 164-5.] Above all, they resembled their Hellenic prototypes in being parasitic.
“In the Anglo-American colonies the towns grew up to meet the needs of the inhabitants of the country: in the Spanish colonies the population of the country grew to meet the needs of the towns. The primary object of the English colonist was generally to live on the land and derive his support from its cultivation; the primary plan of the Spaniard was to live in town and derive his support from the Indians or Negroes at work on plantations or in the mines. … Owing to the presence of aboriginal labour to exploit in fields and mines, the rural population remained almost entirely Indian.” [Footnote: Haring, op. cit., pp. 160 and 159.]
A Study of History, Vol VII, OUP, 1954
Three historic figures, who each gave a decisive turn to the development of the Catholic Church in the West, were recruits from the secular Roman imperial public service.
The section called Civil Services in which this appears mentions, but doesn’t discuss, the survival of a Roman civil service in Italy and Gaul under the barbarians. He had earlier discussed the survival of Roman law.
Ambrosius (vivebat circa A.D. 340-97) was the son of a civil servant who had reached the peak of his profession by attaining the office of praetorian prefect in the Gauls; and the future Saint Ambrose was following in his father’s steps as a young and promising governor of the two North Italian provinces of Liguria and Aemilia when in A.D. 374, to his astonishment and consternation, he was dragged out of the rut of an assured official career and was hustled into the episcopal see of Milan by a popular impetus that did not wait to ask his leave.
Flavius Magnus Aurelius Cassiodorus Senator (vivebat circa A.D. 490-585) [sic] spent his working life on the thankless – and, as his [lay] colleague Boethius’s fate proved, perilous – task of administering a Roman Italy in the service of a barbarian war-lord [Theodoric, who had Boethius executed in 524]. It was only after his retirement from secular public life that Cassiodorus found a creative use for a literary archaism that had been an impediment to his draftsmanship as a Minister of State. In his latter days he turned a rural property of his in the toe of Italy – the Vivarium, in the district of Squillace [Calabria] – into a monastic settlement that was the complement of Saint Benedict’s foundation at Monte Cassino. Saint Benedict’s school of monks broken-in, by the love of God, to hard physical labour in the fields could not have done all that it did do for a nascent Western Society if it had not been wedded, at the start, to a Cassiodoran school that was inspired by the same motive to perform the mentally laborious task of copying the Classics and the Fathers.
As for Gregory the Great (vivebat circa A.D. 540-604), he abandoned the secular public service, after serving as Praefectus Urbi, in order to follow Cassiodorus’s example by making a monastery out of his ancestral palace in Rome, and he was thereby led, against his expectation and desire, into becoming one of the makers of the Papacy.
Two country gentlemen.
After citing the names of these three great luminaries, we may single out, among the lesser lights, two country gentlemen, Gaius Sollius Modestus Apollinaris Sidonius of Auvergne (vivebat A.D. 430-83) and Synesius of Cyrene [Libya] (vivebat A.D. 370-415), who were both drawn out of a life of innocent but uncreative literary dilettantism when their local countryside was engulfed in the oecumenical catastrophe of their age. Both of them responded nobly to this personal challenge by taking on their shoulders the burdens, anxieties, and perils of local leadership; and each found that he could best perform an arduous duty, that he would not shirk, by allowing himself to be made bishop of his local community.
Diverse as the origins and histories of these five personalities were, they had four things in common. For all of them except, perhaps, Cassiodorus, their ecclesiastical career went against the grain. Ambrose was aghast at being made a bishop, while Synesius and Sidonius half-whimsically acquiesced in a role which evidently struck them as being, to say the least, incongruous. Gregory was as reluctant to be made seventh deacon [one of the seven deacons of Rome], apocrisiarius [papal ambassador to Constantinople], and pope, and even to become abbot of his own monastery, as he had been eager to enrol himself as an ordinary monk. The second common feature in these five ecclesiastical careers was that all these ci-devant lay notables were constrained, willy-nilly, to employ their secular administrative gifts and experience in the Church’s service. In the third place, they found a scope for the use of this mundane faculty in the ecclesiastical field which they had not found in secular life. And, finally, they eclipsed their own performance as ecclesiastical administrators by their prowess on the spiritual plane. Thus, when the break-up of the universal state for whose administrative service they had been educated had deprived these Roman honestiores of the possibility of following secular public careers, they responded to this formidable challenge by entering the service of the Christian Church and devoting all their powers to assisting in the creation of a new order of society.
Was Ambrose’s appointment to Milan connected with the “break-up” of the Empire? It happened under Valentinian I.
Cassiodorus and Gregory lived during the upheaval caused by the reconquest of Italy from the Goths by Justinian, the epidemics and famine that followed, an abortive invasion by the Franks and then the arrival of the Lombards, leaving Byzantium with a foothold mainly in the south (535-68).
Cassiodorus retired to his monastery after Justinian had retaken the south.
Gregory was Prefect of Rome under the Lombards. Was he “deprived” of the possibility of following a secular public career? Did Gregory follow the rule of St Benedict?
Sidonius and Synesius had both held secular office. Sidonius lived through the invasion of Arian Visigothic Gaul by pagan Franks.
Synesius must, in Ptolemais, have been affected by the disruption caused by the Visigoths’ sack of Rome, but the Vandals did not arrive in Africa until after his death. Was he ever a country gentleman?
The Church’s history is full of stories of reluctance. Basil Hume received the news of his appointment to the archbishopric of Westminster during dinner at Ampleforth in 1976 and remarked later “I must confess I did not enjoy the rest of the meal”.
A tap on the shoulder in a monastery is different from a tap during a Workers’ Party meeting in Pyongyang or a Baath Party plenum in Baghdad.
A Study of History, Vol VII, OUP, 1954
The Mongols invaded Japan in 1274, and again in 1281, after the completion of their conquest of the Sung Empire in 1279. On both occasions Japanese valour was assisted by storms that made havoc of the invaders’ ships. In 1274 the Mongols’ expeditionary force was small, and it broke off its attack after only one day’s fighting. In 1281 the invading force was on a large scale, and the attack was kept up for two months. The repulse of these two Mongol assaults on Japan had as momentous an effect on mankind’s history as the repulse of the two Persian assaults on European Greece in the fifth century B.C. [492-90 and 480-79] and as the failure of the two Muslim Arab sieges of Constantinople [674-78 and 717-18].
He could have added: “and as the failure of the two Turkish sieges of Vienna” (1529 and 1682-83).
The Persians never set foot on mainland Greek soil again, nor the Mongols on Japanese. The Arabs never returned to the walls of Constantinople, nor the Turks to the walls of Vienna.
Mankind and Mother Earth, A Narrative History of the World, OUP, 1976, posthumous
Greek civilization […] was eventually supplanted by a rival civilization of the proletariat – the Christian Church.
From chapter called History contributed by Toynbee to RW Livingstone, editor, The Legacy of Greece, Essays by Gilbert Murray, W. R. Inge, J. Burnet, Sir T. L. Heath, D’Arcy W. Thompson, Charles Singer, R. W. Livingstone, A. Toynbee, A. E. Zimmern, Percy Gardner, Sir Reginald Blomfield, OUP (Oxford at the Clarendon Press), 1921
The Hannibalic war in Italy was, very probably, the most terrible war that there has ever been, not excepting the recent war in Europe. The horror of that war haunted later generations, and its mere memory made oblivion seem a desirable release from an intolerable world.
Nil igitur mors est adnos neque pertinet hilum,
quandoquidem natura animi mortalis habetur.
et velut anteacto nil tempore sensimus aegri,
ad confligendum venientibus undique Poenis,
omnia cum belli trepido concussa tumultu
horrida contremuere sub altis aetheris oris,
in dubioque fuere utrorum ad regna cadendum
omnibus humanis esset terraque marique,
sic, ubi non erimus, cum corporis atque animai
discidium fuerit quibus e sumus uniter apti,
scilicet haud nobis quicquam, qui non erimus tum,
accidere omnino poterit sensumque movere,
non si terra mari miscebitur et mare caelo.
That is a passage of Lucretius (iii. 830-842) which follows upon an elaborate argument to prove that death destroys personality and that the soul is not immortal. Here is an attempt at a translation:
“So death is nothing to us and matters nothing to us, since we have proved that the soul is not immortal. And as in time past we felt no ill, when the Phoenicians were pouring in to battle on every front, when the world rocked with the shock and tumult of war and shivered from centre to firmament, when all mankind on sea and land must fall under the victor’s empire and victory was in doubt – so, when we have ceased to be, when body and soul, whose union is our being, have been parted, then nothing can touch us – we shall not be – and nothing can make us feel, no, not if earth is confounded with sea and sea with heaven.”
Lucretius wrote that about a hundred and fifty years after Hannibal evacuated Italy, but the horror is still vivid in his mind, and his poetry arouses it in our minds as we listen. The writer will never forget how those lines kept running in his head during the spring of 1918.
But the victors suffered with the vanquished in the common ruin of civilization. The whole Mediterranean world, and the devastated area in Italy most of all, was shaken by the economic and social revolutions which the Roman wars brought in their train. The proletariat was oppressed to such a degree that the unity of society was permanently destroyed and Greek civilization, after being threatened with a violent extinction by Bolshevik outbreaks – the slave wars in Sicily, the insurrection of Aristonikos and the massacres of Mithradates in Anatolia, the outbreaks of Spartakos and Catilina in Italy – was eventually supplanted by a rival civilization of the proletariat – the Christian Church.
From synoikismos to dissolution (old post).
From chapter called History contributed by Toynbee to RW Livingstone, editor, The Legacy of Greece, Essays by Gilbert Murray, W. R. Inge, J. Burnet, Sir T. L. Heath, D’Arcy W. Thompson, Charles Singer, R. W. Livingstone, A. Toynbee, A. E. Zimmern, Percy Gardner, Sir Reginald Blomfield, OUP (Oxford at the Clarendon Press), 1921
[A] discouraging symptom in Modern Western history had been the emergence there, first in Prussia and latterly in Germany at large, of a militarism that had been deadly in the histories of other civilizations. Militarism was a portentous moral evil because it was an abnormal one. The millions of human beings who had sacrificed wealth, happiness, and life itself in fighting the battles of some parochial state, whose subjects they had happened to be, had mostly gone to war, not because they had delighted in War for its own sake, but because they had more or less ruefully resigned themselves to war-making as an evil necessary for the preservation of another evil – Parochial Sovereignty – to which they had perversely said “Be thou my good”. [Footnote: Milton: Paradise Lost, Book IV, l. 110.] In contrast to this normal negative human attitude towards the evil of War, militarism was a state of mind in which War had ceased to be looked upon merely as a means of serving an idolized state and had become an idol and an end in itself; and this cult of War was manifestly something contrary to Human Nature.
On this showing, it was disquieting for a Western historian to recall in A.D. 1952 that a Modern Western militarism in its pristine Prussian form had made its first appearance – regnantibus Frederico Gulielmo I et Frederico II, A.D. 1713-86 – in an age in which, of all ages of latter-day Western history, the evil of War had been at its minimum. Yet this Western militarism, as it had been practised in Prussia in the days of Frederick the Great and even in the darker days of Bismarck, had been, like the Hellenic militarism practised at Sparta in the days of Cleomenes I, a vice that had still been kept within bounds by a surviving respect for at least some of a civilization’s traditional conventions. The more devastating militarism of a post-Bismarckian Prussia-Germany which had brought upon the Western World the catastrophe of A.D. 1914-18 had been a Western counterpart of a Spartan spirit, exacerbated by the Great Atheno-Peloponnesian War of 431-404 B.C., which had found its nemesis in 371 B.C. at Leuctra, or of a Babylonic militarism practised in Assyria in the days of Asshurnazirpal II and Shalmaneser III (regnabant 883-824 B.C.). As for the mad-dog militarism of a National-Socialist Germany, this could only be compared with the last phase of the furor Assyriacus, after its temperature had been raised to the third degree by Tiglath-Pileser III (regnabat 746-727 B.C.). It was true that, in A.D. 1952, it might look as if the fires of Western militarism had at least temporarily burnt themselves out, even in Germany, and at the same date it seemed improbable that even the virus of Russophobia would prove sufficiently inflammatory to kindle the same flame in the traditionally unpropitious atmosphere of the United States. Nevertheless, the fact that, no farther than seven years back, one of the principal nations of the Western World had been still waging an unprovoked war for war’s sake, and this with all its might, was a fact of bad augury for the Western Civilization’s prospects.
A Study of History, Vol IX, OUP, 1954
“He said he’d hurt himself against a wall or had fallen down.]
But there was probably some other reason
for the wounded, the bandaged shoulder.
Because of a rather abrupt gesture,
as he reached for a shelf to bring down
some photographs he wanted to look at,
the bandage came undone and a little blood ran.
I did it up again, taking my time
over the binding; he wasn’t in pain
and I liked looking at the blood.
It was a thing of my love, that blood.
When we left, I found, in front of his chair,
a bloody rag, part of the dressing,
a rag to be thrown straight into the garbage;
and I put it to my lips
and kept it there a long while –
the blood of love against my lips.”
Was Cavafy aware of the kylix from the Etruscan city of Vulci, c 500 BC which is now at the Pergamon Museum in Berlin?
The Bandaged Shoulder, from Edmund Keeley and Philip Sherrard, translators; George Savidis, editor, CP Cavafy, Collected Poems, revised edition, Princeton University Press, 1992, at cavafy.com.
May 1919 – September 1922.
(The Allied occupation of Constantinople lasted from November 1918 to September 1923.
The Sultanate was abolished on November 1 1922. Mehmed VI left the country on November 17.
The Grand National Assembly governed for a year and declared a Republic on October 19 1923.
The Caliphate was abolished on March 3 1924.)
The area provisionally assigned to Greece round Smyrna under the Treaty of Sèvres was small compared to the territories mandated to Great Britain and France in Syria, Palestine, and Mesopotamia. The whole area carved out of the Ottoman Empire since 1821 to make an independent Greece is even smaller in comparison with the vast French and British dominions over Middle Eastern peoples in India, the Nile Basin, and North-West Africa. It is the misfortune as well as the fault of Greece – and the unmitigated fault of Allied statesmanship – that the occupation of Smyrna has had specially untoward consequences, but the circumstances could not fail to make trouble. The Greek troops were sent to Smyrna, with a mandate from the Supreme Council and under cover of the guns of Allied warships, more than six months after the armistice with Turkey. The landing – technically camouflaged as a movement of Allied troops for the maintenance of order – was probably contrary to the letter of the armistice, for no previous local disorder had been proved, and it was certainly contrary to its spirit. Within a few hours of the landing, the troops committed a bad massacre in the city; within a few days they advanced into the interior; and a new and devastating war of aggression against Turkey began in her only unravaged provinces. In the sixteenth month of this war, the Powers gave Greece a five-years’ administrative mandate in the Smyrna Zone, with the possibility of subsequent annexation. Turkey was the leading state of the Middle Eastern world, Greece a Near Eastern state of recent origin. She had been admitted with generous facility into the Western concert of nations; but the mandate now given to her – to govern a mixed population in which one element was of her own nationality – would have been a difficult test, in parallel circumstances, for the most experienced Western Power. It was wanton rashness to make such an experiment at Turkey’s expense; and after the experiment had proved a failure, it showed blind prejudice and partiality on the part of Western Governments that they should continue to give Greece material and moral support in her enterprise as an apostle of their civilisation.
The Western Question in Greece and Turkey, A Study in the Contact of Civilizations, Constable, 1922
This book was published before the dénouement in Smyrna: its Preface is dated 22nd March 1922. Toynbee was a war correspondent in Turkey for the Manchester Guardian from January to September 1921.
In the Roman Empire […] the military cantonments and civilian colonies acted as social “melting-pots”. [Footnote: The Roman Army’s role in propagating the Latin version of the Hellenic culture in the Greek-speaking and Oriental provinces of the Roman Empire and at the same time introducing Greek and Oriental influences into the Latin western provinces is described in Hahn, L.: Rom und Romanismus (Leipzig 1906, Dieterich), pp. 160-6.] The ferment must have been particularly active in the Roman colony planted in 45 B.C. by Caesar at Corinth, since the Roman citizens whom Caesar settled here were freedmen; and these “stepsons of Italy” [footnote: “Quorum noverca est Italia” (Velleius Paterculus, C.: Historia Romana, Book II, chap. iv, § 4)] – as Publius Scipio Aemilianus had once called the free populace of the city of Rome to their face, in contemptuous allusion to the servile source to which so many of them owed their origin, even as early as Aemilianus’s day – were drawn from all quarters of the Hellenic World and its hinterlands. In their settlement at Corinth, Caesar’s freedman-colonists were merely consummating a process of pammixia [sic] of which they themselves were earlier products.
Wasn’t Velleius’s first name either Marcus or Gaius? Rome differed from Greek city-states in allowing freed slaves to become citizens. Citizenship was a privilege granted to the inhabitants of particular communities. There were categories of citizenship. With the Edict of Caracalla in 212, all free men in the Empire became full citizens.
A Study of History, Vol VII, OUP, 1954
Jerome [dreamed] that he was hailed before the heavenly tribunal of Christ; was convicted by his divine judge of being still a Ciceronian and no Christian; and was reprieved only thanks to the intercession of the consistory and in consideration of an oath which he swore by Christ’s name, binding himself never to read any profane literature any more: “si legero, te negavi” [“If I read, I reject you”] (Hieronymus [Jerome]: Epistulae, No. xxii ad Eustochium, chap. 30).
A Study of History, Vol IX, OUP, 1954 (footnote)
The miracle by which Life enters into its Kingdom […] is described by the Hellenic mythology in the parable of Pygmalion’s statue, and portrayed by our Western art in Watts’s picture of Chaos. In the Hellenic myth, a piece of marble turns to human flesh and blood in response to the prayer of a sculptor who has fallen in love with the creature of his own creative hands.
The Pygmalion story is in Ovid, Metamorphoses, Book X. The Cypriot sculptor had offered his prayer to Venus.
In Watts’s Chaos, huge figures of titans are pictured in the act of shaking themselves free from the frame of their Mother Earth. They are still clay of her clay – glowing-red forms of one earthy substance and one fiery heat with the glowing-red landscape. Some of them are drowsily stirring in a flux of volcanic flames; others, wholly liberated and fully come alive, are leaning, stupefied, upon the Earth-Mother’s breast. But we know that in a moment – the moment after this which the artist has caught in his vision – these giants will surely rise to their feet and then stride forward over land and sea. We know it because already, on the peaks of the mountains, the grim chthonic glow is turning miraculously into the ethereal flush of dawn; and because, down here in the shadow, unhurried but unhindered, there floats or dances through Space and Time a living chain of Goddesses, hand linked in hand: the endless procession of the Hours.
The Hours represent the establishment of measurable time and space.
We forget that in 1880 Watts was the most revered figure in British art, a British Michelangelo. He died in 1904. See, to return to a thread in this blog, George Clausen’s The Art of G.F. Watts RA, OM, A Lecture Delivered in the Town Hall, Manchester on 31 May 1905, Sheratt and Hughes, 1905, delivered the year after Chesterton published his book.
GF Watts, Chaos, Tate Britain, c 1875-82
A Study of History, Vol III, OUP, 1934
The Athenians […] didn’t win in the military sense, but they did win in the intellectual sense. They ran away with the monopoly of writing the story, so, although they were defeated in the Peloponnesian War, it is all told from their point of view.
Other examples of loser-monopolies, not counting outsider or subaltern studies and tribal-grudge historiography?
With Philip Toynbee, Comparing Notes, A Dialogue across a Generation, Weidenfeld & Nicolson, 1963
… or, A priest and a murderer
“Who does not know Turner’s picture of the Golden Bough? The scene, suffused with the golden glow of imagination in which the divine mind of Turner steeped and transfigured even the fairest natural landscape, is a dream-like vision of the little woodland lake of Nemi, ‘Diana’s Mirror,’ as it was called by the ancients. No one who has seen that calm water, lapped in a green hollow of the Alban hills, can ever forget it. The two characteristic Italian villages which slumber on its banks, and the equally Italian palazzo whose terraced gardens descend steeply to the lake, hardly break the stillness and even the solitariness of the scene. Dian [sic] herself might still linger by this lonely shore, still haunt these woodlands wild.
“In antiquity this sylvan landscape was the scene of a strange and recurring tragedy.”
… the opening of the most influential book on comparative religion ever published. The Alban hills are south of Rome. The Pope has his summer palace at Castel Gandolfo by Lake Albano, north of Lake Nemi.
“On the northern shore of the lake, right under the precipitous cliffs on which the modern village of Nemi is perched, stood the sacred grove and sanctuary of Diana Nemorensis, or Diana of the Wood. The lake and the grove were sometimes known as the lake and grove of Aricia. […] In this […] grove there grew a certain tree round which at any time of the day and probably far into the night a strange figure might be seen to prowl. In his hand he carried a drawn sword, and he kept peering warily about him as if every instant he expected to be set upon by an enemy. He was a priest and a murderer; and the man for whom he looked was sooner or later to murder him and hold the priesthood in his stead. Such was the rule of the sanctuary. A candidate for the priesthood could only succeed to office by slaying the priest, and having slain him he held office till he was himself slain by a stronger or a craftier.
“[…] No one will probably deny that such a custom savours of a barbarous age and, surviving into imperial times, stands out in striking isolation from the polished Italian society of the day, like a primeval rock rising from a smooth-shaven lawn. It is the very rudeness and barbarity of the custom which allow us a hope of explaining it. […] For recent researches into the early history of man have revealed the essential similarity with which, under many superficial differences, the human mind has elaborated its first crude philosophy of life. Accordingly if we can show that a barbarous custom, like that of the priesthood of Nemi, has existed elsewhere; if we can detect the motives which led to its institution; if we can prove that these motives have operated widely, perhaps universally, in human society, producing in varied circumstances a variety of institutions specifically different but generically alike; if we can show, lastly, that these very motives, with some of their derivative institutions, were actually at work in classical antiquity; then we may fairly infer that at a remoter age the same motives gave birth to the priesthood of Nemi. […]
“I begin by setting forth the few facts and legends which have come down to us on the subject. According to one story the worship of Diana at Nemi was instituted by Orestes, who, after killing Thoas, King of the Tauric Chersonese (the Crimea), fled with his sister to Italy, bringing with him the image of the Tauric Diana. The bloody ritual which legend ascribed to that goddess is familiar to classical readers; it is said that every stranger who landed on the [Crimean] shore was sacrificed on her altar. But transported to Italy, the rite assumed a milder form. Within the sanctuary at Nemi grew a certain tree of which no branch might be broken. Only a runaway slave was allowed to break off, if he could, one of its boughs. Success in the attempt entitled him to fight the priest in single combat, and if he slew him he reigned in his stead with the title of King of the Wood (Rex Nemorensis). Tradition averred that the fateful branch was that Golden Bough which, at the Sibyl’s bidding, Aeneas plucked before he essayed the perilous journey to the world of the dead. The flight of the slave represented, it was said, the flight of Orestes; his combat with the priest was a reminiscence of the human sacrifices once offered to the Tauric Diana. This rule of succession by the sword was observed down to imperial times; for amongst his other freaks Caligula, thinking that the priest of Nemi had held office too long, hired a more stalwart ruffian to slay him.
“Such then are the facts and theories bequeathed to us by antiquity on the subject of the priesthood of Nemi. From materials so slight and scanty it is impossible to extract a solution of the problem. It remains to try whether the survey of a wider field may not yield us the clue we seek. The questions to be answered are two: first, why had the priest to slay his predecessor? and second, why, before he slew him, had he to pluck the Golden Bough? The rest of this book will be an attempt to answer these questions.”
The book is James Frazer’s The Golden Bough. I have referred to the first, two-volume, edition of 1890. The second, in 1900, was in three volumes. The third, published between 1906 and 1915, was in twelve. I have omitted the footnotes here, which give his sources (Ovid, Cato quoted by Priscian, Virgil, Servius, Strabo, Pausanias, Solinus, Suetonius).
Frazer wrote in a supplementary volume in 1936: “When I first put pen to paper to write The Golden Bough I had no conception of the magnitude of the voyage on which I was embarking; I thought only to explain a single rule of an ancient Italian priesthood.”
The Golden Bough became a worldwide comparative study.
A runaway slave is the insecure master or temporary priest-king of a wood sacred to Diana. He can be ousted by another in a trial by combat, provided that the other has first broken the Golden Bough.
The sacrifice of the priest-king is an echo of the human sacrifices once regularly offered to Diana in the Crimea (post). The cult of Diana was thought to have been brought to Nemi by Orestes (Servius’s commentary on the Aeneid, but not, as far as I can tell, the Aeneid itself, and there is no historical or archaeological evidence to support the story). The flight of the slave represents the flight of Orestes into exile. Whether or not Diana had a Crimean connection, she became conflated in Italy with the Greek Artemis. The Golden Bough is a reminiscence of the bough once plucked by Aeneas before he began his journey to the underworld (Virgil, Aeneid, Book VI).
Pausanias mentions another deity, Hippolytus (Virbius), the son of Theseus. So do Virgil and Ovid. “The Aricians tell a tale … that when Hippolytus was killed, owing to the curses of Theseus, Asclepius raised him from the dead. On coming to life again he refused to forgive his father; rejecting his prayers, he went to the Aricians in Italy [was carried there by Diana herself]. There he became king and devoted a precinct to Artemis, where down to my time the prize for the victor in single combat was the priesthood of the goddess. The contest was open to no freeman, but only to slaves who had run away from their masters.” Pausanias, Description of Greece, Book II, 27, 4.
What is Frazer’s justification for implying, as he does, that this is a “secondary” foundation myth?
By the time Caligula interfered in the succession of priest-kings, the murder-succession had devolved into a gladiatorial combat in front of an audience.
A statue of Diana stood in the sacred grove of Aricia in front of the temple of Diana Nemorensis. Vitruvius, in the first century BC, describes the temple as archaic and “Etruscan” in form. The image was standing at least as late as 43 BC, when it appears in coinage. The votive offerings, none earlier than the fourth century BC, found in the grove portray her as a huntress, and as blessing men and women with offspring and granting expectant mothers an easy delivery.
Ovid gives a poetic account of the priesthood of Nemi in his Fasti, Book III. Strabo says: “and in fact a barbaric, and Scythian, element predominates in the sacred usages, for the people set up as priest merely a runaway slave who has slain with his own hand the man previously consecrated to that office; accordingly the priest is always armed with a sword, looking around for the attacks, and ready to defend himself.” Geographica, Book V, 3, 12.
What, then, are the answers to Frazer’s questions? “Why had the priest to slay his predecessor? and second, why, before he slew him, had he to pluck the Golden Bough?”
I can suggest them by quoting from two later passages in the first volume of that first edition. Not having read everything, I may not be choosing the best ones.
“Since the King of the Wood could only be assailed by him who had plucked the Golden Bough, his life was safe from assault so long as the bough or the tree on which it grew remained uninjured. [My italics.] In a sense, therefore, his life was bound up with that of the tree; and thus to some extent he stood to the tree in the same relation in which the incorporate or immanent tree-spirit stands to it. The representation of the tree-spirit both by the King of the Wood and by the Golden Bough (for it will hardly be disputed that the Golden Bough was looked upon as a very special manifestation of the divine life of the grove) need not surprise us, since we have found that the tree-spirit is not unfrequently thus represented in double, first by a tree or a bough, and second by a living person.
“On the whole then, if we consider his double character as king and priest, his relation to the Golden Bough, and the strictly woodland character of the divinity of the grove, we may provisionally assume that the King of the Wood, like the May King and his congeners of Northern Europe, was deemed a living incarnation of the tree-spirit. As such he would be credited with those miraculous powers of sending rain and sunshine, making the crops to grow, women to bring forth, and flocks and herds to multiply, which are popularly ascribed to the tree-spirit itself.”
“If the course of nature is dependent on the man-god’s life, what catastrophes may not be expected from the gradual enfeeblement of his powers and their final extinction in death? There is only one way of averting these dangers. The man-god must be killed as soon as he shows symptoms that his powers are beginning to fail, and his soul must be transferred to a vigorous successor before it has been seriously impaired by the threatened decay. The advantages of thus putting the man-god to death instead of allowing him to die of old age and disease are, to the savage, obvious enough. For if the man-god dies what we call a natural death, it means, according to the savage, that his soul has either voluntarily departed from his body and refuses to return, or more commonly that it has been extracted or at least detained in its wanderings by a demon or sorcerer. In any of these cases the soul of the man-god is lost to his worshippers; and with it their prosperity is gone and their very existence endangered. Even if they could arrange to catch the soul of the dying god as it left his lips or his nostrils and so transfer it to a successor, this would not effect their purpose; for, thus dying of disease, his soul would necessarily leave his body in the last stage of weakness and exhaustion, and as such it would continue to drag out a feeble existence in the body to which it might be transferred. Whereas by killing him his worshippers could, in the first place, make sure of catching his soul as it escaped and transferring it to a suitable successor; and, in the second place, by killing him before his natural force was abated, they would secure that the world should not fall into decay with the decay of the man-god. Every purpose, therefore, was answered, and all dangers averted by thus killing the man-god and transferring his soul, while yet at its prime, to a vigorous successor.”
Frazer is arguing that the tale of the priesthood of Nemi was an instance of a worldwide myth of a sacred king who must periodically die as part of a regular fertility rite.
The opening of The Golden Bough is misleading. I noticed this and sought corroboration. I could only find it in a piece by Jonathan Jones in the Guardian. I haven’t looked at commentaries that are only in print.
Frazer is explicit: “The scene [in Turner’s painting] […] is a dream-like vision of the little woodland lake of Nemi.”
No, it is not. He wanted his book to start at Nemi and with Turner. How much less elegant would the passage have been if he had had to admit to his readers that the Turner Golden Bough was in Campania.
The painting is based on the Aeneid. The Trojan hero, Aeneas, has come to Cumae, not Nemi, to consult the sibyl, a prophetess, who will take him to the underworld so that he can meet his father. The gateway to the underworld is at Lake Avernus, not Lake Nemi.
Cuma is near Naples, Nemi is near Rome. (How strange, when one thinks historically and culturally, or remembers deliciously-long train journeys in the ’70s, to realise that the distance between the two cities is, as the crow flies, little more than a hundred miles.)
The sibyl tells Aeneas that he can only enter the underworld if he offers Proserpine a golden bough cut from a sacred tree. Turner shows the sibyl holding a sickle and the freshly-cut branch in front of the lake. The dancing figures are the Fates. They and the snake in the foreground hint, amid the beauty of the landscape, at death and the mysteries of the underworld.
Only near the end of the second volume, in a footnote, does he write:
“Virgil (Aen. vi. 201 sqq.) places the Golden Bough in the neighbourhood of Lake Avernus. But this was probably a poetical liberty, adopted for the convenience of Aeneas’s descent to the infernal world. Italian tradition, as we learn from Servius, placed the Golden Bough in the grove at Nemi.”
Do we know whether Turner’s Golden Bough was based on sketches made at Nemi? He certainly visited both places. The Tate has sketches and watercolour studies of both Nemi and Avernus.
An earlier, less accomplished oil, from c 1798, also at Tate Britain, is called Aeneas and the Sibyl, Lake Avernus.
When I write a Toynbee-Frazer post, I will point to some other (to my amateur eye) questionable statements in the book. Yet, though his views on kingship may have been qualified or superseded, Frazer is still regarded as a serious scholar, and was one.
A more benign ritual at Nemi was the festival of Nemoralia, or Festival of Torches, celebrated in August in honour of Diana and described by Ovid, Plutarch and Propertius. The Christian Feast of the Assumption is related to it. A procession of torches and candles would move around the lake. Worshippers and dogs wore wreaths of flowers. Offerings were made to Diana: messages written on ribbons tied to the altar or to trees, baked clay or bread models of body parts in need of healing, clay images of mother and child, tiny sculptures of stags, apples. Offerings of garlic to Hecate (who is associated with Iphigeneia).
Lake Nemi is also famous for Caligula’s floating palace and floating temple to Diana. The giant ships were raised from the lake-bed under Mussolini and a museum built for them in the town of Nemi. The museum was destroyed, perhaps by Americans, perhaps by Germans, in 1944. It re-opened in 1953 to house scale models (Museo delle navi romane).
Something numinous and mysterious comes across, perhaps not always intentionally, in nineteenth-century paintings and prints of the volcanic crater of Nemi, and even in modern photographs.
Frazer prefaces his first chapter with some lines from Macaulay’s Lays of Ancient Rome:
“The still glassy lake that sleeps
Beneath Aricia’s trees –
Those trees in whose dim shadow
The ghastly priest doth reign,
The priest who slew the slayer,
And shall himself be slain.”
JMW Turner, The Golden Bough, 1834; click to enlarge
The Greek word παράδεισος [paradeisos], […] is the transliteration of a Persian word signifying a stretch of savannah – a mixture of grassland and woodland abounding in game – which was artificially preserved in its virgin state in order to enable the dominant minority in an agrarian and urban society to enjoy, as a sport, the primitive occupation of hunting.
… a kind of royal park.
A Study of History, Vol I, OUP, 1934 (footnote)
Artemis (Diana to the Romans) sent Iphigeneia to Tauris (Crimea) after rescuing her from the human sacrifice that Iphigeneia’s father, Agamemnon, was about to perform on her. Iphigeneia became a priestess at her temple. Here, she was forced by the Taurian king Thoas to perform human sacrifices on any foreigners who came ashore. (Euripides, Goethe. Campra, Gluck, Piccinni.)
The Scythians expelled the Cimmerians in the interior during the seventh century BC (both were Indo-European). The Cimmerians who survived in the southern coastal regions became known as the Tauri and gave their name to the peninsula.
Were Cimmerians participating in a Greek cult? Was Artemis originally Cimmerian? Tauris and its inhabitants’ custom of killing Greeks are described by Herodotus.
In the fifth century BC, Greek colonists began to settle along the Black Sea coast. Dorians from Heraclea founded the port of Chersonesos outside modern Sevastopol. Ionians from Miletus landed at Feodosiya and Panticapaeum (the latter also called Bosporus, after the strait between the Sea of Azov and the Black Sea).
In 438 BC, the Archon of the Ionians assumed the title of King of the Cimmerian Bosporus. This Bosporan Kingdom came to dominate the other colonies in the peninsula. It supplied Athens with wheat, honey and other commodities. The last of that line of kings, Paerisades V, hard-pressed by the Scythians, put himself under the protection of Mithridates VI, the king of (Greek or Greco-Persian) Pontus, in Anatolia, in 114 BC.
After a long struggle with Rome in the Mithridatic Wars (88-63 BC), Pontus was defeated. From 63 BC until AD 370, when it was overrun by Huns, the Cimmerian Bosporus was a client kingdom of Rome.
A few centuries after the Hunnic invasion, the Bosporan cities enjoyed a revival, under Byzantine or Bulgarian protection. Other powers: Khazars (Turkic converts to Judaism), Kievan Rus, Kipchaks and Cumans (Turkic), Genoese, Mongols, Crimean Tatars (Turkic), Ottoman Turks, Russian Empire.
Mystery religions – cults reserved to initiates – formed one of three types of Greco-Roman religion, the others being the imperial cult or ethnic religion particular to a nation or state, and the philosophic religions such as Neoplatonism. Mysteries supplemented rather than competed with civil religion. One could observe the rites of a state cult, be an initiate in one or several mysteries, and at the same time follow a philosophical school. In contrast to the compulsory public rituals of civil religion, initiation to a mystery was optional. The same gods could be worshipped inside and outside a mystery. Was Mithras mystery-only?
The Roman establishment objected to Christianity not on grounds of its tenets or practices, but because, unlike adherents of the mystery religions with which it was competing, Christians considered their faith as precluding their participation in the imperial cult.
Of the Eleusinian Mysteries, Dionysian Mysteries, Samothracian Mysteries and Orphic Mysteries, the first three may have been influenced by Thracian or Phrygian cults, but lasted, with whatever gaps in the Dark Age or at other stages, from the Mycenaean period until the end of paganism.
The Eleusinian Mysteries were annual initiation ceremonies held at Eleusis in Attica for the cults of Demeter and Persephone (Proserpina). Of all the ancient mysteries, they were held to be the ones of greatest importance.
The Dionysian (Bacchic) Mysteries were not connected with a particular place.
The mysteries on Samothrace in the northern Aegean predate Greek colonisation in the seventh century BC. The pantheon there included the Cabeiri and a Great Mother who is often identified with Demeter. Both may have originally been Phrygian. Samothrace formed a Macedonian national sanctuary during the Hellenistic period and remained an important site under Rome.
The Greek Orphic Mysteries (Orpheus) go back at least to the fifth century BC. When did they die out?
Some of the gods that the Romans adopted from other cultures came to be worshipped in mysteries – the Phrygian Cybele, the Thracian/Phrygian Sabazius, the Egyptian Isis, the Zoroastrian Persian Mithras. So did Adonis, who is related to the Mesopotamian Tammuz and the Egyptian Osiris.
The originally Phrygian cult of Cybele reached mainland Greece in the sixth century BC and, as a cult of Magna Mater, was officially adopted during the Second Punic War and again by Augustus.
The Phrygian cult of Attis, the consort of Cybele, reached the Greek world in the fourth century BC, if not earlier, and Rome in the first century CE.
The Phrygian cult of Sabazius entered the classical Greek world at an early stage and survived into the Roman Empire.
The ancient pharaonic gods Isis and her consort Osiris joined the Greek pantheon when Egypt was hellenised. The cult of Isis spread through the Roman Empire during the formative centuries of Christianity.
The Persian cult of Mithras entered the Roman world in the first century and was popular in the army. Wikipedia, citing Clauss, M., The Roman Cult of Mithras: “Soldiers were strongly represented amongst Mithraists; and also merchants, customs officials and minor bureaucrats. Few, if any, initiates came from leading aristocratic or senatorial families until the pagan revival of the mid 4th century [Julian]; but there were always considerable numbers of freedmen and slaves.”
Were Serapis and Sol Invictus ever worshipped as mysteries by initiates? Serapis was a god invented by Ptolemy I as a means of unifying the Greeks and Egyptians in his realm. Ptolemy failed in his objective, but Serapis grew in popularity throughout the Roman period and often replaced Osiris as the consort of Isis in temples outside Egypt.
The cult of Sol Invictus from Aurelian to Constantine and beyond was perhaps a revival of the emperor Elagabalus’s cult of the Syrian sun-god from whom he took his name. What were the “oriental” and what were the “indigenous” elements in the Sol Invictus cult?
“At Sparta, any departure from the primitive canons of music was censored. Terpander himself, who was a primitive of primitives and the best harpist of his day and a eulogist of heroism, was fined, all the same, by the Overseers (ἔφοροι) [Ephors], and had his harp permanently confiscated by them, because he had added just one extra string in order to increase the instrument’s range. The Overseers only approved of simple melodies. Again, when Timotheus was competing at the festival of the Carnea, one of the Overseers snatched up a knife and asked the performer on which side of his instrument he (the Overseer) was to cut the necessary number of strings in order to bring the total down to the permitted number of seven.” (Plutarch: Instituta Laconica, No. 17.)
A Study of History, Vol III, OUP, 1934 (footnote)
In the hostile caricature which had been the convention in Hellas during the interval of 146 years by which Alexander’s passage of the Hellespont was separated from Xerxes’ unluckier crossing of the same straits in the opposite direction, the Persian grandees had been held up to odium as monsters of luxury, tyranny, cruelty, and cowardice; and now, when Xerxes’ abortive aggression had been avenged at last up to the hilt by Alexander’s victorious riposte, the Macedonian champion of Hellas learnt, through the intimate and illuminating intercourse of warfare, that these arch-barbarians were in reality men capable of showing a bravery in battle and a dignity in defeat which even a Spartan might envy.
A Study of History, Vol VI, OUP, 1939
In striking contrast to the series of Jewish insurrections against first Seleucid and then Roman rule during the three hundred years running from 166 B.C. to A.D. 135, the Christians never once rose in armed revolt against their Roman persecutors during the approximately equal period of time that elapsed between the beginning of Jesus’ mission and the conclusion of peace and alliance between the Roman Imperial Government and the Church in A.D. 313.
A Study of History, Vol VII, OUP, 1954
The sea-faring empire-builders of a thalassocracy control their overseas dominions from the sea-ports linking them with the metropolitan territory across the water. [Footnote: The typical structure of a thalassocracy is illustrated on the Aegean scale by “the thalassocracy of Minos” and by the Athenian Empire that grew out of the Delian League, and on the Oceanic scale by the British Empire. The British conquered India from three maritime bases: the river-port of Calcutta, the sea-port of Madras, and the inshore island of Bombay. The transfer of the political capital of the British Indian Empire from Calcutta to New Delhi in A.D. 1912 was a step towards the renunciation of British rule over India […].]
“Thalassocracy of Minos” seems to be an allusion to Thucydides, Book 1, Chapter 4.
A Study of History, Vol VII, OUP, 1954